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Sylvie Gedda works and lives in New Aquitaine France

After several years of work on paste painting and movements (1st solo exhibition in Paris in 1981) she directed her work on fluidity and transparencies.

From 2006 onwards she amplified the transparencies and played more with reflections and lights. Her preferred medium has thus become synthetic glass (100 x 100 cm plates painted on both sides). To the manufacture of oil paints, she replaces the epoxy resin, cast on the support and within which she introduces inks and pigments. The surface is glossy, solid and has different thicknesses depending on the superposition of the coloured films processed in the resin.

Since mid-2015, strong tof this experience on synthetic glass, the return to the canvas has been a natural choice. The resin having proved its worth (paintings installed outside: Arcachon waterfront, Sarlat lanes,...) she uses the same technique on canvas, her experience on synthetic glass allows her to anticipate the effects produced and to be able to drive and control them.

Her sources of inspiration are inspired by Nature in the broadest sense possible: cosmic, microscopic, terrestrial, aquatic, human. She's interested in life.

She proposes a work in all shades of diaphanous films, hoping to touch the viewer, offering him all the poetry of shapes, colours and lights so that he can weave secret links with Nature and reconnect with his imagination, humanity, essence and partiality.


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Poudres d'étoiles, Sylvie Gedda

Poudres d'étoiles

Sylvie Gedda

Painting - 23.6 x 23.6 x 0.8 inch

$2,167

Un jour, une fleur, Sylvie Gedda

Un jour, une fleur

Sylvie Gedda

Painting - 23.6 x 31.5 x 1 inch

$2,831

Virevolte, Sylvie Gedda

Virevolte

Sylvie Gedda

Painting - 11.8 x 11.8 x 0.8 inch

$1,393

Silence d'or, Sylvie Gedda

Silence d'or

Sylvie Gedda

Painting - 7.9 x 7.9 x 0.8 inch

$310

Racines, Sylvie Gedda

Racines

Sylvie Gedda

Painting - 7.9 x 7.9 x 0.8 inch

$276

Pégase ou le commencement, Sylvie Gedda

Pégase ou le commencement

Sylvie Gedda

Painting - 15.7 x 15.7 x 0.8 inch

$1,504

Ode au printemps N°2, Sylvie Gedda

Ode au printemps N°2

Sylvie Gedda

Painting - 15.7 x 15.7 x 0.8 inch

$1,504

Ode au printemps N°1, Sylvie Gedda

Ode au printemps N°1

Sylvie Gedda

Painting - 15.7 x 15.7 x 0.8 inch

$1,504

Le chant des fleurs, Sylvie Gedda

Le chant des fleurs

Sylvie Gedda

Painting - 31.5 x 31.5 x 0.8 inch

$3,605

Le chant de la vie, Sylvie Gedda

Le chant de la vie

Sylvie Gedda

Painting - 31.5 x 31.5 x 0.6 inch

$3,605

Le chant de la terre, Sylvie Gedda

Le chant de la terre

Sylvie Gedda

Painting - 31.5 x 31.5 x 0.8 inch

$3,605

La fin de la nuit, Sylvie Gedda

La fin de la nuit

Sylvie Gedda

Painting - 23.6 x 23.6 x 0.8 inch

$2,167

Ascension chaotique, Sylvie Gedda

Ascension chaotique

Sylvie Gedda

Painting - 11.8 x 11.8 x 0.8 inch

$874

Arborescence, Sylvie Gedda

Arborescence

Sylvie Gedda

Painting - 15.7 x 15.7 x 0.8 inch

$1,504

Les racines de la nuit, Sylvie Gedda

Les racines de la nuit

Sylvie Gedda

Painting - 11.8 x 11.8 x 0.8 inch

$1,393

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Who is the artist?

Sylvie Gedda works and lives in New Aquitaine France

After several years of work on paste painting and movements (1st solo exhibition in Paris in 1981) she directed her work on fluidity and transparencies.

From 2006 onwards she amplified the transparencies and played more with reflections and lights. Her preferred medium has thus become synthetic glass (100 x 100 cm plates painted on both sides). To the manufacture of oil paints, she replaces the epoxy resin, cast on the support and within which she introduces inks and pigments. The surface is glossy, solid and has different thicknesses depending on the superposition of the coloured films processed in the resin.

Since mid-2015, strong tof this experience on synthetic glass, the return to the canvas has been a natural choice. The resin having proved its worth (paintings installed outside: Arcachon waterfront, Sarlat lanes,...) she uses the same technique on canvas, her experience on synthetic glass allows her to anticipate the effects produced and to be able to drive and control them.

Her sources of inspiration are inspired by Nature in the broadest sense possible: cosmic, microscopic, terrestrial, aquatic, human. She's interested in life.

She proposes a work in all shades of diaphanous films, hoping to touch the viewer, offering him all the poetry of shapes, colours and lights so that he can weave secret links with Nature and reconnect with his imagination, humanity, essence and partiality.

What are his 3 main works?

When was Sylvie Gedda born?

The year of birth of the artist is: 1955