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Glacier des Bossons sous nuages
Eric Bouvet
Photography - 60 x 80 x 0.1 cm Photography - 23.6 x 31.5 x 0 inch
$2,009
L’Aiguille Verte
Eric Bouvet
Photography - 60 x 80 x 0.1 cm Photography - 23.6 x 31.5 x 0 inch
$2,009
Sous le Signal Forbes
Eric Bouvet
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
$1,563
Le Clou Positif
Eric Bouvet
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
$1,563
Descente de l’arête de l’Aiguille du midi
Eric Bouvet
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
$1,563
Les Drus et La Verte
Eric Bouvet
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
$1,563
L’Aiguille de l’M
Eric Bouvet
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
$1,563
Vallée de Chamonix
Eric Bouvet
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
$1,563
Glacier d’Argentière
Eric Bouvet
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$1,060
Au-dessus d’Argentier
Eric Bouvet
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$1,060
L’Aiguillette d’Argentière
Eric Bouvet
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$1,060
Les Aiguilles de Chamonix vues de l’Index
Eric Bouvet
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$1,060
Aiguille du Goûter
Eric Bouvet
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$1,060
Les Aiguilles de Chamonix
Eric Bouvet
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$1,060
Le gendarme sur la frontière France-Italie
Eric Bouvet
Photography - 40 x 30 x 0.1 cm Photography - 15.7 x 11.8 x 0 inch
$1,060
Au-dessus du Val d’Arly
Eric Bouvet
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$1,060
Water Beyond Water 9
Fabrice Constant
Photography - 90 x 60 cm Photography - 35.4 x 23.6 inch
$1,228
Water Beyond Water 7
Fabrice Constant
Photography - 60 x 90 cm Photography - 23.6 x 35.4 inch
$1,228
Water Beyond Water 5
Fabrice Constant
Photography - 90 x 60 cm Photography - 35.4 x 23.6 inch
$1,228
Water Beyond Water 4
Fabrice Constant
Photography - 50 x 75 cm Photography - 19.7 x 29.5 inch
$1,005
Water Beyond Water 2
Fabrice Constant
Photography - 75 x 50 cm Photography - 29.5 x 19.7 inch
$1,005
Rue de Rivoli (au temps de la Covid 19)
Alexis Duclos
Photography - 30 x 40 x 0.1 cm Photography - 11.8 x 15.7 x 0 inch
$603
Egg Study 5, Silver Gelatin Print
Shine Huang
Photography - 50.8 x 40.6 x 0.3 cm Photography - 20 x 16 x 0.1 inch
$2,400
Hong Kong Limited Edition Collectors Box - 16 signed archival prints
Sven Pfrommer
Photography - 40 x 30 x 5 cm Photography - 15.7 x 11.8 x 2 inch
$1,887
Dead nature scroll #2
Andrés Rozo Samer
Photography - 60 x 60 x 0.1 cm Photography - 23.6 x 23.6 x 0 inch
$1,256
Broadway-Simplon
Stéphane Martin
Photography - 40 x 30 x 0.04 cm Photography - 15.7 x 11.8 x 0 inch
$167
Un été pas comme les autres
Valérie Abadie
Fine Art Drawings - 13.5 x 21 x 0.1 cm Fine Art Drawings - 5.3 x 8.3 x 0 inch
$659
Pain et couteau
Raoul Ubac
Fine Art Drawings - 36 x 42 cm Fine Art Drawings - 14.2 x 16.5 inch
$11,163
Elliptic, recherche n°7
Clémentine Chambon
Fine Art Drawings - 40.8 x 29.7 x 0.1 cm Fine Art Drawings - 16.1 x 11.7 x 0 inch
$781
Aurora Borealis
Heikki Willamo
Photography - 33 x 50 x 1 cm Photography - 13 x 19.7 x 0.4 inch
$3,349
Si nu stim totul
Kuffjca Cozma
Fine Art Drawings - 30 x 21 cm Fine Art Drawings - 11.8 x 8.3 inch
$1,340
Paris, Jardin des Tuileries Fashion Week Défilé Dior
Olivia Bonnamour
Photography - 40 x 60 cm Photography - 15.7 x 23.6 inch
$614
The weight of ravished worlds, selah
Christa David
Photography - 76.2 x 55.88 x 2 cm Photography - 30 x 22 x 0.8 inch
$3,907
Holy and ravished but still here
Christa David
Photography - 76.2 x 55.88 x 2 cm Photography - 30 x 22 x 0.8 inch
$3,907
Deep waters, muddy and troubled here
Christa David
Photography - 76.2 x 55.88 x 2 cm Photography - 30 x 22 x 0.8 inch
$3,907
Basilique Sacre coeur
Paul Khayat
Photography - 60 x 60 x 1 cm Photography - 23.6 x 23.6 x 0.4 inch
$949
Pont Alexandre III
Paul Khayat
Photography - 40 x 40 x 1 cm Photography - 15.7 x 15.7 x 0.4 inch
$558
Cathédrale d'Albi
Sébastien Béghuin
Photography - 60 x 50 x 0.1 cm Photography - 23.6 x 19.7 x 0 inch
$1,507
Paradis artificiels
Pierre Gély-Fort
Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
$614
L'anti-chambre du départ
Pierre Gély-Fort
Photography - 30 x 45 x 0.1 cm Photography - 11.8 x 17.7 x 0 inch
$614
The Supremes & Berry Gordy, Los Angeles, Calif. in 1967
Harry Adams
Photography - 61 x 61 x 0.3 cm Photography - 24 x 24 x 0.1 inch
$2,000
Delantal. JT, Nimes, Francia.
Andrés Calamaro
Photography - 110 x 110 x 2 cm Photography - 43.3 x 43.3 x 0.8 inch
$13,228
Ganadería. Victoriano del Rio, Guadalix de la Sierra.
Andrés Calamaro
Photography - 40 x 60 x 2 cm Photography - 15.7 x 23.6 x 0.8 inch
$8,763
Santa Coloma. Fernando Robleño, Las Ventas.
Andrés Calamaro
Photography - 40 x 60 x 2 cm Photography - 15.7 x 23.6 x 0.8 inch
$8,763
José Tomás. La México, CDMX.
Andrés Calamaro
Photography - 40 x 60 x 2 cm Photography - 15.7 x 23.6 x 0.8 inch
$8,763
Tafallera. Arturo Saldívar, Aguascalientes, México.
Andrés Calamaro
Photography - 40 x 60 x 2 cm Photography - 15.7 x 23.6 x 0.8 inch
$8,763
Verónica a pies juntos. El Juli, Manizales, Colombia.
Andrés Calamaro
Photography - 40 x 60 x 2 cm Photography - 15.7 x 23.6 x 0.8 inch
$8,763
JM Manzanares. Puerto de Santa María.
Andrés Calamaro
Photography - 40 x 60 x 2 cm Photography - 15.7 x 23.6 x 0.8 inch
$8,763
La Suerte Suprema. JT, Nimes, Francia.
Andrés Calamaro
Photography - 40 x 60 x 2 cm Photography - 15.7 x 23.6 x 0.8 inch
$8,763
Por derecha. José Tomas, CDMX.
Andrés Calamaro
Photography - 40 x 60 x 2 cm Photography - 15.7 x 23.6 x 0.8 inch
$8,763
La México, CDMX.
Andrés Calamaro
Photography - 40 x 60 x 2 cm Photography - 15.7 x 23.6 x 0.8 inch
$8,763
Morante de la Puebla.
Andrés Calamaro
Photography - 40 x 60 x 2 cm Photography - 15.7 x 23.6 x 0.8 inch
$8,763
Antonio Corbacho. Finca de Gerardo Ortega, Santa Olalla del Cala.
Andrés Calamaro
Photography - 40 x 60 x 2 cm Photography - 15.7 x 23.6 x 0.8 inch
$8,763
memories of the last winter
Elena Raceala
Photography - 200.7 x 133.4 x 0.3 cm Photography - 79 x 52.5 x 0.1 inch
$726
Tourbillon Noir et Blanc
Kaouteur Souibgui
Painting - 73 x 52 x 2.5 cm Painting - 28.7 x 20.5 x 1 inch
$690
Black and white
Before the arrival of photography – with the exception of some etchings and lithographs – all the images we consumed were in colour. Quite simply, because no one would ever have thought to do anything else – why paint in black and white when colour was so readily available?
Yet despite this, today many photographers still choose to work in black and white – such as Pauline Théon, Kadir Von Lohuizen or Joh Lowenstein – even though their photos are taken in colour by the camera itself. Is the black and white trend a fleeting effect of fashion, or a symbolic return to the roots of the photography movement? Black and white photography has something that colour photos, despite recent innovations and the extraordinary quality of images today, cannot quite access. The use of black and white lends significant force to the composition: the contrasts, the shadows and the figures all stand out more strongly. People simply feel differently when faced with a colour photo versus a black and white image.
Colour is a distraction of sorts, a disturbance: colour is a nuisance.
And yet, some photographers still prefer colour to black and white, whilst others merge touches of colour with otherwise monochrome compositions. But in the end, all agree that both styles impose a totally different way of looking at a photo: from researching the shot to post production work, when artists develop or retouch the image. The use of colour is therefore something of a process in its own right, relating to two different ways of viewing the world and showing it others. The question, then, is what is being told, and why is it being in the way that it is?
The symbolic value of putting black and white together is a good starting point for reflecting on the fascination that they generate even today. There could not be a more fascinating, more striking ambivalence than when black, the 'colour' of darkness and burnt coal, considered a non-colour, is placed alongside white – representing light, and the result of all the colours merged together.
The problem faced by photographers today is that black and white still carry strong connotations of the past, of an era before the popularisation of colour and its massive cultural recovery amongst the press and photo journalists. In fact, it is rare now that contemporary subjects are photographed in colour, but we still associate black and white images with a retro feel.
So what does contemporary art have to say about it all? Discover Artsper's selection of black and white works: on the border of past and present, of the real and the imaginary… let us guide you!