Implied lives, Circa 2018
Photography : black & white edition, fine art print · 42 x 59.4 x 0.1 cm 16.5 x 23.4 x 0 inch
€300
300 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: Spain
Delivery to: Germany , € 27
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 15 copies
12 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
42 x 59.4 x 0.1 cm 16.5 x 23.4 x 0 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
This evocative black and white photograph masterfully captures a rustic wooden pier stretching into the tranquil waters of a vast, silent sea. The perspective draws the viewer's eye along the weathered planks, past the simple shack, toward an expansive horizon. The barbed wire in the foreground introduces a stark contrast, adding a layer of tension and mystery. The sky's subtle gradations hint at a somber, overcast day, enhancing the sense of isolation and serenity. The precise composition and monochromatic palette emphasize texture and form, allowing the viewer to appreciate the interplay between the natural and the man-made. This artwork uniquely conveys an atmosphere of solitude and introspection, inviting contemplation of the fleeting boundaries between freedom and confinement.
Presentation
Emanuel Gravina (Argentina, 1985), based in Valencia, Spain. His practice explores humanity and territory through direct engagement with communities often placed at the margins, addressing themes such as homelessness, displacement and rural life within contexts marked by social or environmental challenges. Focused on resilience as a shared human condition, he works across photography, painting and other media without hierarchy, developing projects grounded in real connection, service and presence.
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