Bougeoir danseuse, Circa 2002
Arisztid Szendy  

Design : brass, Knife Painting · 36 x 8 x 8 cm 14.2 x 3.1 x 3.1 inch

€820 820 €

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Shipped from: France

Delivery to: Germany , € 65

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Design : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Signed artwork

Technique & Support

brass , Knife Painting

Dimensions ( cm • inch )

36 x 8 x 8 cm 14.2 x 3.1 x 3.1 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2024

Description
This intriguing work of art features a contemporary sculpture that immediately captures attention with its bold design and powerful symbolism. The sculpture is made of brown patinated brass. Featuring arms raised in an arc, holding candles, seemingly defying gravity. This work is distinguished by its ability to marry simplicity and complexity, through basic geometric shapes and a balanced composition. An iconic piece that imposes itself by its presence and its singular interpretation of the human figure.

Nude

Decorative objects

Candlestick

Human body

Dancer

Women

brown

France  • 1936  - 2013

Presentation

Arisztid Szendy, born on May 16, 1936 in Hungary, came from a family of artists like his uncles who were painters and musicians.

He came to France in 1956, the day after the Hungarian revolution.

He began his studies in France at the Beaux Arts in Paris under the guidance of Giacometti, Zadkine and Adam. He learned the art of drawing, modeling and sculpture on different materials but was particularly attached to alloys such as brass and bronze.

He was commissioned to create a bas-relief at the Bank of Bilbao and at the Sand Museum in Port Barcares, took part in exhibitions at the Grand Palais, such as "Jeune sculpture", l'Art sacré, Réalités nouvelles de Paris, and went to settle in Beauce where he appreciated its large expanses of fields in varied colours.

After a passage in the abstract, he comes to the figurative using repoussé, according to boilermaking techniques.

His sculptures evoke women, amplify them, sometimes distort them... he draws a lot of inspiration from fertility.

Its creativity comes above all from internal communication, research...

Over the years, the artist began to make smaller sculptures until he turned to jewelry, which allowed him to participate in the large art studio and Bijhorca fairs twice a year.

Arisztid Szendy left us on December 23, 2013

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