Adam, Circa 2024
Design : Textiles, tapestry · 205 x 155 x 3 cm 80.7 x 61 x 1.2 inch
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Shipped from: Spain
Delivery to: United States , $ 361
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Design : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
205 x 155 x 3 cm 80.7 x 61 x 1.2 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
A striking exploration of the human form. This textile artwork captures a moment of primal stillness. A nude figure stands with his back to the viewer. He holds a fish and a staff. The composition balances raw vulnerability with a sense of quiet purpose.
The artist utilizes handwoven tapestry to build this scene. Weaving becomes a slow process of construction. Each thread records a deliberate act of labor. The green background evokes a lush garden. It creates a timeless space where nature and man coexist.
The color palette is grounded and organic. Soft flesh tones contrast against deep earthy greens. Sharp lines define the muscles and the silhouette. This approach transforms a traditional medium into a modern figurative study. The piece examines the tension between structure and organic life. It reflects on collective memory through a symbolic lens. The final result is a tactile surface that invites contemplation. The figure remains poised in a state of eternal waiting.
Presentation
Olga Kirienko (b. 1981, USSR) is a Spain-based artist working with textile, installation, and drawing. Her practice explores systems of control, collective memory, and the tension between predetermined structures and lived experience.
Working primarily with handwoven tapestry, Kirienko approaches weaving not as a craft tradition but as a method of constructing images through repetition, constraint, and duration. Each work begins with a precise visual framework that is then translated into material form through a slow manual process. The resulting surfaces record time, labor, and the instability of fixed meanings.
Alongside textile works, she develops installations and sculptural objects that investigate fragility, displacement, and the mechanisms through which political and personal narratives are formed. Her projects often combine symbolic imagery with everyday materials, creating spaces where intimate experience intersects with broader social realities.
Kirienko studied Fine Art at the Moscow State Academic Art Institute named after V.I. Surikov and later specialized in tapestry at Casa Aymat in Catalonia. Her work has been exhibited internationally, including the XI World Textile Art Biennial in Miami, as well as exhibitions in Madrid, Barcelona, and London.
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