Bronze Sculpture for Sale
Arts industriels , Chat Afrika gravure originale, 2000
Print : aquatint, etching, tirage fine art, engraving · 50 x 65 x 0.1 cm 19.7 x 25.6 x 0 inch
€480
480 €
Shipping & delivery
Shipped from: France
Delivery to: France Free delivery
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 10 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
50 x 65 x 0.1 cm 19.7 x 25.6 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2013 • Top Seller
Description
This captivating work is distinguished by a bold collage that merges drawing and printing. Against a background of sketched architectural plans, three animal figures—a black dog and two red creatures—add a touch of dynamism. The dog, with its imposing silhouette, seems to interact with the other forms, evoking a rich narrative scene. The more stylized, humanoid red figures add a dimension of mystery and contrast. The skillful use of monochromatic colors, dominated by red and black, creates a striking visual impact on the slightly beige-tinted paper. The word "AFRICA" inscribed in the upper left corner reinforces the idea of a cultural and geographical exploration, while the overall aesthetic draws inspiration from both primitive and contemporary imagery. This work skillfully combines modernity and tradition, prompting reflection on communication and interaction between species.
Presentation
Born in Strasbourg-Neudorf on September 14, 1938, Waydelich is passionate about archeology and mythologies as much "primitive" as urban, he has shaped his own in these improbable animals, in these tasty scenes. Her work is made of tributes to her past and her dreams, but also of nods to the future. He represented France at the Venice Biennale in 1978. His work mainly concerns time and memory, in particular “memory of the future” and the traces of our civilization that will be discovered and interpreted by archaeologists of the future. This work focuses on the object, its anticipated transformation under the action of time or its preservation through the ages (recreated ceramic tires, a garden hut cast in bronze, objects sealed in a vault near the Strasbourg cathedral, not to be opened until 3790 ... Another side of its production is inspired by the “dream” life of a 19th century seamstress, Lydia Jacob, whose sketchbook Raymond Waydelich acquired at the Marché aux chips in 1973. The episodes of Lydia Jacob's life are retraced through a wide variety of plastic means: painting, sculpture, collages, assemblages, watercolors, engravings… These works often take the form of tributes to a famous character , to brands, places, or commemorating Lydia Jacob's imaginary travels. They are frequently invested by a earthy bestiary with half animal and half human expressions (crocodiles, deer, pigs, poultry, fish, etc.), in a spirit poet ique tinged with humor, dreamlike and humanism.
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Reviews from our customers
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