Interlude (L), 2023
Eric Kanigan  

Photography : silver print, archival pigment print · 127 x 190.5 cm 50 x 75 inch

€22,794 22 794 €

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Shipped from: United States

Delivery to: France , € 245

Estimated delivery: Three to four weeks

Free returns within 14 days, full refund

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Sold with certificate of Authenticity from the artist

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 3 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Not Signed

Dimensions ( cminch )

127 x 190.5 cm 50 x 75 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2023

Description

"""The quality that we call beauty, however, must always grow from the realities of life.""

Following a tour of three Zen gardens in Kyoto, the guide shared an essay written by Jun'ichirō Tanizaki in 1933, titled In Praise of Shadows. In it, he contrasts the Japanese appreciation for the subtlety and transience of dimness and darkness—and the beauty and mystery they evoke—with the Western preference for bright, harsh ambiance.

""We delight in the mere sight of the delicate glow of fading rays clinging to the surface of a dusky wall, there to live out what little life remains to them. We never tire of the sight, for to us this pale glow and these dim shadows far surpass any ornament.""

His perspective ties closely to the Japanese concept of Ma, which describes the importance of negative space—between objects, or between moments in time. It's a principle deeply embedded in Japanese art, architecture, language, and interaction. Ma is the intentional interval that creates balance and flow in life.

There's no shortage of flash and awe in this bustling island nation.

But so much is said in what isn't.

The slow closing of the eyelids that lets you take in the delicate details on the macaque's face—the creases, the stillness, the way the water holds on his hair.
The muted blinking of red obstruction lights across a sea of Tokyo skyscrapers.
The bow from the Shinkansen conductor to his successor on the platform.
The people paused at a crosswalk—no cars in sight—waiting for the light to turn green before taking their next step.

These subtle, fleeting moments stay with you long after you leave.

The pale glow that keeps me coming back."

All available sizes:

12'' x 18'' - Platinum Palladium Print, 3 + 1 AP
16'' x 24''- Archival Pigment Print, 10 + 2 AP
26'' x 39'' - Archival Pigment Print, 7 + 2 AP
40'' x 60''  - Archival Pigment Print, 5 + 1 AP
50'' x 75'' - Archival Pigment Print, 3 + 1 AP

Eric Kanigan, Interlude (L)

Eric Kanigan

United States  • 1990

Presentation

Eric Kanigan is an award-winning Canadian-American photographer based in
Connecticut, known for capturing meaningful encounters across species,
cultures, and geographies. Influenced by his degrees in biology and Spanish, his
themes draw from the notion that all life is interconnected, while his appreciation
for writing was shaped by exposure to the great Spanish and Latin American
authors.
Eric was raised in Miami, where his earliest inspirations came from time spent in
the ocean. Those countless hours fostered an affinity for the water and a deep
curiosity about animals and the natural world—pulls he never outgrew. Today,
those same childhood fascinations drive him to far corners of the globe, where he
documents scenes not often witnessed firsthand.
Working both above and below the surface, Eric seeks to spark curiosity and
reflection through storytelling and traditional printmaking methods. His work has
been recognized in both juried exhibitions and international contests. He is
represented by Trimper Gallery in Greenwich, Connecticut.

Reviews from our customers

All our reviews are extracted from Verified Reviews

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