Roger Moore – Ocha Rios, Jamaica, November, 1972 Limited Edition, 1972
David Steen  

Photography : C-print · 44.5 x 61 x 0.01 cm 17.5 x 24 x 0 inch

€1,360 1 360 €

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Shipped from: United Kingdom

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 20 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Not Signed

Technique & Support

Dimensions ( cminch )

44.5 x 61 x 0.01 cm 17.5 x 24 x 0 inch Height x Width x Depth

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Credentials

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Description

Roger Moore – Ocha Rios, Jamaica, November, 1972  Limited Edition

Limited Edition David Steen Estate Print

Limited Edition: All prints are limited editions, no further prints are produced once sold
Paper Size: 17.5 x 24
Image size 13.5 x 20 inches 
Limited to 10 only this size

All prints are bespoke and printed to order
stamped and numbered by the Estate

David Steen recalls: “Filming for Roger’s first Bond movie, Live and Let Die began in New Orleans and moved on to Ocho Rios, Jamaica. Cubby Broccoli asked me to spend some time there building up a portfolio of the actors, especially Roger and Jane Seymour.
This shot was a natural spread, the whole movie exuded glamour and this pose of Roger’s summed it up…I love the way the towel barely covers him, suggesting there is nothing underneath.”
Location: Ocha Rios, Jamaica
Year: 1972
Biography: Though he studied at the Royal Academy of Drama (RADA) in London and was later groomed by MGM in the Fifties, major big-screen success initially proved elusive. In the Sixties, he took on a string of high-profile television roles in shows like Maverick and, famously, The Saint but his big break came in 1973. After Sean Connery retired from the role of James Bond, Roger Moore took over as 007 in Live and Let Die. He went on to star in six other Bond films until he too retired from the role in 1985 after A View to a Kill. Moore had been awarded a CBE (Commander of the British Empire) in recognition of his work for UNICEF and in 2003 he received a Knighthood.
Print Type: Fibre-based Harman Galerie Digital
Printed by: Metro Imaging, London
Limited Editions: All prints are limited editions, no further prints are produced once sold
Bespoke: All prints are bespoke and printed to order, stamped and numbered
Presentation: Prints are supplied to clients flat in an acid-free box or rolled in a tube
Watermark: Watermarks will not be present on an original print
Tags: sir roger moore, the saint, 007, james bond, actor, 1972, 70s, 1970s, the seventies, film star, famous, fame, movies, hollywood, sex symbol, live and let die, the man with the golden gun, octopussy, a view to a kill, ian fleming
Copyright: © David Steen / The David Steen Archive

Portrait

Black and white

Everyday life

Actor

James Bond

Landscape

Grey

David Steen, Roger Moore – Ocha Rios, Jamaica, November, 1972 Limited Edition

David Steen

United Kingdom  • 1936  - 2015

Presentation

David Steen's introduction to photography was as a 15-year-old school leaver joining Picture Post where he had the good luck to be taken under the wing of the legendary Bert Hardy as an assistant. It was the ultimate training ground in photojournalism, and the launch pad for his career.

David's reunion with Picture Post after doing his National Service (as special photographer based in Eygpt, covering the major trouble zones) was short-lived. The magazine was losing ground and closed. He moved to Fleet Street, first to a bright new Mirror title, Woman's Sunday Mirror, where incidentally he picked up First Prize in Encyclopaedia Britannica's Best Pictures of the Year Award for his sequence of 'Birth of a Baby', the progress of a young woman delivering her own baby under hypnosis. 

He was 21, the youngest ever to be awarded this prize. There followed time as a staff photographer with The Daily Mail; Fleet Street was the hub of the world. Then on to freelancing…Queen magazine, Nova, the Sunday Times Magazine, international magazines around the world, over the years covering projects as diverse as riots in Harlem to a film set in Acapulco, a battered wives' refuge to the Queen and family at Sandringham: the hopeless, the homeless, the glitterati. Trained on the maxim 'every picture tells a story' he has focused on film stars, actors, criminals, politicians, prime ministers and countless men, women and children going about their everyday lives.

David Steen believes himself to be lucky. He thinks lucky; luck is being in the right place at the right time, having the luck to have a loving family and enduring friends and winning a three-year battle against cancer.

Asked by aspiring photographers for his best advice, his stock reply is: 'Get up early.'

David Steen  † 1936 – 2015

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