Arbres au Semnoz série Montagne, Circa 2024
Swann  

Painting : Watercolour · 23 x 29 x 1 cm 9.1 x 11.4 x 0.4 inch · Ready to hang

€180 180 €
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Shipped from: France

Delivery to: France , € 16

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

23 x 29 x 1 cm 9.1 x 11.4 x 0.4 inch Height x Width x Depth

Artwork dimensions including frame

27 x 33 x 2 cm 10.6 x 13 x 0.8 inch

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Credentials

Vetted seller since 2018 • Top Seller

Description

This work presents a minimalist winter landscape, using primarily monochromatic hues. The delicate lines of the bare trees emerge from the textured ground, evoking an atmosphere of calm and solitude. Shades of gray and black blend harmoniously, creating subtle contrasts that accentuate the slenderness of the branches. In the background, the blurred silhouette of a large conifer adds a mysterious depth, evoking a veil of fog. The use of negative space is masterful, giving the whole a feeling of openness and tranquility. The touches of pale blue on the floral details bring a hint of color, elegantly breaking the monochromy. This composition, at once simple and sophisticated, captures the essence of sleepy nature and invites the viewer into introspective contemplation.

Swann, Arbres au Semnoz série Montagne

Swann

France

Presentation

I practice calligraphy, watercolor, and, more recently, printmaking. 


Calligraphy: from the Greek "kellos graphos": "beautiful writing." This art (which I learned extensively at the late Comptoir des Ecritures in Paris) consists of laying out "historical" lettering, inventing contemporary ones, or even playing between the two, to enhance the texts. The texts explode, the illustration imposes itself. 


This is where watercolor comes in. A lover of Japanese prints, I am influenced by the Chinese Xieyi painting technique. My favorite theme: nature: water, trees, landscapes, animals, and sometimes a bit of architecture. This is part of an impressionist approach: for me, it's not about representing the reality of countries, lived in, traveled through (or imagined) in a photographic way, but rather suggestively. I am very interested in evoking movement, the breath that animates every being, every thing.

Reviews from our customers

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