Bronze Sculpture for Sale
Painting : acrylic · 100 x 70 x 5 cm 39.4 x 27.6 x 2 inch · Ready to hang
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Shipped from: Spain
Delivery to: France , € 125
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 70 x 5 cm 39.4 x 27.6 x 2 inch Height x Width x Depth
Independent artist
Credentials
Vetted seller since 2025
“The Innocence of Silence" is a poignant and introspective portrait of a young girl, whose simple gesture of covering part of her face with both hands reveals a complex emotional struggle. Her hands act as a barrier, not only protecting her from external scrutiny but also symbolizing her hesitation to express her innermost thoughts. This gesture captures the suffocating reality of a society where individuals, particularly women, must navigate the limitations imposed on their words and emotions.
Alex Carr's use of different hues of violet throughout the painting encapsulates the girl's deep inner emotions, mystery, and unspoken beauty. The violet tones—ranging from soft lavender to deep purple—represent the complexity of her inner world, filled with suppressed feelings, unspoken desires, and quiet strength. Violet, as a symbol of spirituality and introspection, mirrors the depth of her emotional experience, evoking both innocence and wisdom beyond her years.
Black, the dominant color in the painting, casts a shadow over the scene. It represents the dark, oppressive nature of the society around her, one filled with constraints, falsehood, and unspoken rules. The black tones seem to envelop the girl, creating an environment where her true self is constantly hidden or restrained. This contrast between the violet of her inner world and the blackness of the outer society highlights the tension between her suppressed identity and the societal expectations she must adhere to.
The girl's face, fractured in Carr's signature cubist style, is broken into geometric shards, symbolizing the fragmented nature of her identity. The parts of her face that are visible, particularly her eyes, reflect a quiet longing, a deep well of unspoken emotion that she is too fearful to release. Her eyes remain closed, as if both protecting and revealing her vulnerability. Her lips, concealed behind her hands, are another symbol of the suppression of her voice in a world where honesty can be dangerous.
Carr emphasizes the difficulties women face within a patriarchal society through subtle distortions in the girl's figure. Her hands and their protective gesture not just innocent but almost defensive, representing the burden placed on women to guard themselves against judgment and restriction. The surreal lines that trace through the painting act like invisible barriers, suggesting the invisible societal constraints that keep her emotions and thoughts locked away.
The composition is filled with stark contrasts between light and dark, innocence and repression. The violet hues emanate a soft glow, as though representing the girl's true inner light, while the black surrounding her feels suffocating, as if society is closing in. This visual tension reflects the broader themes of the painting—innocence caught in the grip of a world that stifles self-expression, especially for women.
“Innocence" is a profound exploration of emotional suppression, societal expectation, and the unique challenges faced by women in a patriarchal world. Through the delicate balance of violet's emotional depth and black's oppressive presence, Alex Carr creates a portrait that not only speaks to the personal struggle of this young girl but also serves as a broader commentary on the constraints of modern society.
Born in a small town in northeastern Spain, Alex Carr discovered his passion for art at an early age, using vibrant colors and bold forms to express himself. Facing severe hip dysplasia from birth, which limited his mobility, he found solace in creativity, turning to art as both an escape and a means of communication.
In the 1990s and early 2000s, Alex lived in New York City, where he exhibited his work and developed Geocubism, an innovative style that merges cubist fragmentation with surrealism, incorporating geometric and circular forms to explore psychological, emotional, and societal themes. His art invites viewers to navigate the subconscious, blending structure with fluidity to reflect the complexity of human experience.
Now, back in his hometown, Alex continues to push the boundaries of Geocubist Surrealism, using his work to challenge perception and provoke thought. His journey—from overcoming physical limitations to exhibiting internationally—embodies the transformative power of resilience and creativity. Through his art, he encourages viewers to explore the depth and intricacies of the human mind and the world around them.
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