Désert III, 2025
Pascal Perrin  

Painting : oil · 24 x 33 x 3 cm 9.4 x 13 x 1.2 inch · Ready to hang

€1,500 1 500 €

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Shipped from: France

Delivery to: France , € 30

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

24 x 33 x 3 cm 9.4 x 13 x 1.2 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2026

Discount

This seller offers discount when you purchase multiple artworks.

Description

This still-life painting captures the essence of domestic simplicity with a warm, earthy color palette. The composition is dominated by a bowl of red soup, placed at the center of a table with red and orange hues, evoking a cozy atmosphere. Beside it, a knife and half a slice of buttered bread add to the everyday feel of the scene, while a glass of clear water, reflecting the light, balances the composition. The background features abstract shapes, suggesting a distant mountain, creating a gentle juxtaposition between the interior and exterior. The texture of the painting, visible in the vigorous brushstrokes, accentuates its tactile dimension and adds depth to the whole. This work celebrates the beauty of ordinary moments.

Still Life

Food

figurative

Colors

Ordinary objects

Interior

Dark blue

Pink

Pascal Perrin, Désert III

Pascal Perrin

France  • 1968

Presentation

After graduating with a baccalaureate in Fine Arts and studying art history, Pascal Perrin enrolled at the École nationale supérieure des arts appliqués et des métiers d'art-Olivier de Serres and became a mold maker and sculptor at the Airaind'art foundry in Saint-Rémy-lès-Chevreuse. His work focused on molding and enlarging sculptures.

In 1994, he completed a course in fresco restoration in Upper Corsica and Italy.

In 1997, he joined the Wildenstein Institute to contribute to the creation of the catalogue raisonné of Vlaminck, followed by those of Renoir and Monet.

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