White Vans and Russet Leaves, 2026
Godfrey Afebuame  

Painting : oil, Knife Painting · 50.8 x 61 x 3.8 cm 20 x 24 x 1.5 inch

€1,351 1 351 €

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Shipped from: Canada

Delivery to: France , € 119

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

50.8 x 61 x 3.8 cm 20 x 24 x 1.5 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Discount

This seller offers discount when you purchase multiple artworks.

Description

I created White Vans and Russet Leaves to find beauty in the everyday surroundings of our urban environment. This painting captures a quiet corner of the city where white work vehicles are parked beside a tree holding onto its last autumn colors. I used a heavy impasto technique with bold palette knife strokes to give the buildings and the pavement a physical, weathered texture that reflects the passing of time. The contrast between the mechanical lines of the vans and the organic, russet leaves represents the "silent threads" that connect our human industry with the natural world. By focusing on these often-overlooked scenes, I want to invite the viewer to slow down and find a moment of stillness amidst the functional chaos of city life. It is a tribute to the resilience of nature as it continues its cycle in the heart of our urban spaces.

Godfrey Afebuame, White Vans and Russet Leaves
Canada  • 1969

Presentation

Godfrey Afebuame is a Nigerian-born, Niagara-based artist with over three decades of professional practice and a distinguished academic background from Auchi Polytechnic. A master colourist and recipient of the Fasuyi Prize for Best Student in Painting, he is renowned for bold, impressionistic compositions that emphasize physical depth and energy. His signature style is defined by heavy impasto applications, where he utilizes a palette knife to build rich, sculptural textures that bring a three-dimensional quality to the canvas. While often centering on the female form, his work addresses broad global narratives, including peace, economics, and environmental sustainability.

A member of the Society of Nigerian Artists, Afebuame's work has been showcased at premier international venues such as the Maison de France and Signature Gallery. His paintings are held in distinguished private and corporate collections across Nigeria and internationally, reflecting a career marked by both critical acclaim and technical evolution. Recently, he has expanded his repertoire to include the delicate, luminous qualities of watercolor, continuing to evolve his practice as a significant contributor to the Canadian contemporary art landscape.

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