Four O'Clock in the Morning, 2025
Ekaterine Ilashvili  

Painting : acrylic · 35 x 50 x 2 cm 13.8 x 19.7 x 0.8 inch · Ready to hang

€1,200 1 200 €

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Shipped from: Georgia

Delivery to: France , € 109

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

35 x 50 x 2 cm 13.8 x 19.7 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2015

Discount

This seller offers discount when you purchase multiple artworks.

Description

“Four O'Clock in the Morning" is a fragment of nature as I saw it—a puddle that took on an unexpectedly mysterious appearance in the silence and half-light of dawn.

Landscape

Nature

Beige

Green

Ekaterine Ilashvili, Four O'Clock in the Morning
Georgia  • 1974

Presentation

Ekaterine Ilashvili is a Georgian artist born in 1974 who lives and works in Tbilisi, Georgia. Her multidisciplinary practice encompasses painting, textile-based works, and art jewelry. She graduated from the Apollon Kutateladze Tbilisi State Academy of Arts, where she specialized in textile design, an education that continues to inform her distinctive approach to surface, line, rhythm, and material. Working across watercolor, acrylic, gouache, and pastel, Ilashvili develops layered compositions that move between figuration and abstraction. Her paintings evoke dreamlike psychological landscapes in which human figures, animals, flowers, architectural fragments, and organic forms emerge and dissolve within translucent fields of color. Through processes of layering, erasure, repetition, and transformation, she creates images that resist fixed interpretation and invite associations with memory, intuition, and the subconscious. Her textile background is particularly evident in the tactile character of her surfaces and in the recurring linear gestures that suggest threads, traces, waves, or fragments of woven structures. These elements connect disparate forms within the composition, creating a sense of movement and continuity. Ilashvili's visual language is characterized by muted colors, delicate layers, and atmospheric passages in which fragility is set against weight, and intimacy against distance. Literature, cinema, music, and perfumery also contribute to her creative vocabulary, not as direct subjects but through mood, rhythm, association, and sensory memory. Rather than presenting predetermined narratives, Ilashvili creates open-ended visual experiences that encourage prolonged observation. Her works occupy a space between the recognizable and the elusive, where images gradually reveal themselves and remain open to personal interpretation.

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