Laying Nude with Blue Lance, 1930
Antonio Feltrinelli  

Painting : oil · 100 x 150 x 0.5 cm 39.4 x 59.1 x 0.2 inch · Ready to hang

€15,000 15 000 €

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Shipped from: Italy

Delivery to: France , € 133

Estimated delivery: Three to four weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Not Signed

Technique & Support

Dimensions ( cminch )

100 x 150 x 0.5 cm 39.4 x 59.1 x 0.2 inch Height x Width x Depth

Artwork dimensions including frame

140 x 190 x 3 cm 55.1 x 74.8 x 1.2 inch

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Credentials

Vetted seller since 2019 • Top Seller

Description
Laying Nude with Blue Lace is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s.

Original oil on canvas.

Beautiful original frame included (cm 140 x 190).

Very beautiful and representative work representing a lying female figure with a light bright blue lace. The figure wears only the lace and the shoes of the same bright and luminous color. She is lying in a dark red interior room on a sofa with big soft velvet pillows and with a dark heavy curtain of the same dark red color before her.

Antonio Feltrinelli
(Milan, 1887 – Gargnano, 1942)
Antonio Feltrinelli was born in Milan on June 1, 1887 to Giovanni Feltrinelli, the nephew of Giacomo, who was the founder of the Feltrinelli partnership. Feltrinelli was not only a prominent figure in the Italian economic and financial field, but he was also a painter, who was characterized as a strong, impetuous hot colorist, and preferred still lifes, portraits and landscapes. He started his career in 1930 at La Permanente (Milan), where he exhibited a portrait and a still life that won him the Fornara award.

That same year, Feltrinelli exhibited his work at the Venice Biennial and at the Pesaro Gallery in Milan. Together with other prominent avant-garde artists, he participated in various foreign exhibitions on modern Italian painting. He was varied and eclectic, full of inspiration and attracted to all art, history and life that which he believed could become a colorful painting, and for this reason he took on the most difficult subjects to paint. These paintings portrayed his admiration and deepest worship through his uses of raging colors, which matched his exceptional temperament.

He chose risky themes, and his drawings were disorderly, violent and full of color. Feltrinelli’s artistic person openly opposed his physical and social person. He was well educated, reserved and quiet, and had a prominent social position in society. This artist, who was both observant and a thinker, would come down from his luxurious studio as if he was coming down from an attic. He was enthusiastic and tormented by the art that seemed to want to take his life.

His love for the arts and sciences pushed him to use his personal fortune to fund a great Italian cultural institution “similar to the Nobel Foundation”. In addition, Antonio Feltrinelli made the Italian Academy the heir of his possessions and ordered that an inalienable and perpetual fund be created to reward work, education and intelligence.

Nude

Red

Antonio Feltrinelli, Laying Nude with Blue Lance
Italy  • 1887

Presentation

Antonio Feltrinelli was born in Milan on June 1, 1887 to Giovanni Feltrinelli, the nephew of Giacomo, who was the founder of the Feltrinelli partnership. Feltrinelli was not only a prominent figure in the Italian economic and financial field, but he was also a painter, who was characterized as a strong, impetuous hot colorist, and preferred still lifes, portraits and landscapes. He started his career in 1930 at La Permanente (Milan), where he exhibited a portrait and a still life that won him the Fornara award.

That same year, Feltrinelli exhibited his work at the Venice Biennial and at the Pesaro Gallery in Milan. Together with other prominent avant-garde artists, he participated in various foreign exhibitions on modern Italian painting. He was varied and eclectic, full of inspiration and attracted to all art, history and life that which he believed could become a colorful painting, and for this reason he took on the most difficult subjects to paint. These paintings portrayed his admiration and deepest worship through his uses of raging colors, which matched his exceptional temperament.

He chose risky themes, and his drawings were disorderly, violent and full of color. Feltrinelli’s artistic person openly opposed his physical and social person. He was well educated, reserved and quiet, and had a prominent social position in society. This artist, who was both observant and a thinker, would come down from his luxurious studio as if he was coming down from an attic. He was enthusiastic and tormented by the art that seemed to want to take his life.

His love for the arts and sciences pushed him to use his personal fortune to fund a great Italian cultural institution “similar to the Nobel Foundation”. In addition, Antonio Feltrinelli made the Italian Academy the heir of his possessions and ordered that an inalienable and perpetual fund be created to reward work, education and intelligence.

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