Bois 6, 2020
Painting : acrylic · 80 x 100 x 2 cm 31.5 x 39.4 x 0.8 inch
€2,400
2 400 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 90
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
80 x 100 x 2 cm 31.5 x 39.4 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2020 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Acrylic on wood panels. Shipping protected with insurance.
There are two inseparable and essential elements in Verrocchia's work: Color and Mediterranean. Twenty years of pictorial research and the reminiscences of an Italian childhood result in a vibrant polychromy; the very essence of his works, which he sees as both a jeweler and a metal practitioner. The metal abandons itself in contact with his hands and discovers sensuality and softness, it finds nobility and becomes fabric and lace. His horses are free, they rush and dance without the slightest hindrance, in this fragile relationship between balance and imbalance which is the very essence of creation.
There are two inseparable and essential elements in Verrocchia's work: Color and Mediterranean. Twenty years of pictorial research and the reminiscences of an Italian childhood result in a vibrant polychromy; the very essence of his works, which he sees as both a jeweler and a metal practitioner. The metal abandons itself in contact with his hands and discovers sensuality and softness, it finds nobility and becomes fabric and lace. His horses are free, they rush and dance without the slightest hindrance, in this fragile relationship between balance and imbalance which is the very essence of creation.
Presentation
Loreto Verrocchia was born in Pescina (province of Aquila in the Abruzzes region of Italy) in 1957. He lives and works in France, where he first arrived at the age of 6. He studied visual arts in Paris and then turned to painting at the Académie de la Grande Chaumière in Montparnasse. In 1985, he left Paris for Provence and started his never-ending experimentation with materials and volumes.
In 1993, Loreto Verrocchia created his first monumental metal sculpture for the Féria de Béziers: a unicorn. He intended it to be a “tribute to women, beauty and purity”, a constantly recurring theme in his work. In 1996, he sculpted a Pegasus and three unicorns for private collections in France.
More than twenty years of pictorial research and work with metals have made Loreto Verrocchia a real jeweler of sculpture, known in equestrian circles for the refinement and beauty of his work. His horses seem to be alive and ready to jump. His style gives grace and lightness to the animal, and his colors exude poetry and softness.
In 1993, Loreto Verrocchia created his first monumental metal sculpture for the Féria de Béziers: a unicorn. He intended it to be a “tribute to women, beauty and purity”, a constantly recurring theme in his work. In 1996, he sculpted a Pegasus and three unicorns for private collections in France.
More than twenty years of pictorial research and work with metals have made Loreto Verrocchia a real jeweler of sculpture, known in equestrian circles for the refinement and beauty of his work. His horses seem to be alive and ready to jump. His style gives grace and lightness to the animal, and his colors exude poetry and softness.
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