Cedar Oak, 2021
Painting : paper, Textiles, assemblage · 30 x 30 x 4 cm 11.8 x 11.8 x 1.6 inch · Ready to hang
$2,107
2 107 $US
Shipping & delivery
Shipped from: United Kingdom
Delivery to: United States , $ 121
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
paper , Textiles , assemblage on paper
Dimensions ( cm • inch )
30 x 30 x 4 cm 11.8 x 11.8 x 1.6 inch Height x Width x Depth
Artwork dimensions including frame
40 x 40 x 5 cm 15.7 x 15.7 x 2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Description
material: lasercut paper, laser etched Somerset paper and entomology pins
Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautiful shadows and layers.
‘’Colour, texture and light all inspire, delight and inform me. I look for the journey of my materials particularly paper- its source, it’s evolution to a finished piece and its eventual destination. It’s a silent language usually revealing itself beyond completion. I like to feel fragility and a quiet change between colour and texture. I want light to filter and cast shadows over each work gently forming new life, movement and dimension.
I watch for the space in each piece, how the eye travels around the image, how light on the pins pushes the layers forward. I listen to what each piece asks for.’’
Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautiful shadows and layers.
‘’Colour, texture and light all inspire, delight and inform me. I look for the journey of my materials particularly paper- its source, it’s evolution to a finished piece and its eventual destination. It’s a silent language usually revealing itself beyond completion. I like to feel fragility and a quiet change between colour and texture. I want light to filter and cast shadows over each work gently forming new life, movement and dimension.
I watch for the space in each piece, how the eye travels around the image, how light on the pins pushes the layers forward. I listen to what each piece asks for.’’
Presentation
Emma Levine followed working in London for several textile print studios with 4 years designing textiles and embroidery for a fashion house in Paris, regularly travelling to India for inspiration and to develop the print collection.
Colour, texture and light all inspire, delight and inform her. Emma Levine looks for the journey of her materials particularly paper - its source, its evolution to a finished piece and its eventual destination. It’s a silent language usually revealing itself beyond completion. She likes to feel a fragility and a quiet change between colour and texture. She wants light to filter and cast shadows over each work gently forming new life, movement and dimension.
Emma Levine watches for the space in each piece, how the eye travels around the image, how light on the pins pushes the layers forward. She listens to what each piece asks for.
Colour, texture and light all inspire, delight and inform her. Emma Levine looks for the journey of her materials particularly paper - its source, its evolution to a finished piece and its eventual destination. It’s a silent language usually revealing itself beyond completion. She likes to feel a fragility and a quiet change between colour and texture. She wants light to filter and cast shadows over each work gently forming new life, movement and dimension.
Emma Levine watches for the space in each piece, how the eye travels around the image, how light on the pins pushes the layers forward. She listens to what each piece asks for.
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