Madonna of the Pomegranade, after Raphael, 2021
Painting : oil, acrylic · 150 x 150 x 4 cm 59.1 x 59.1 x 1.6 inch · Ready to hang
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
150 x 150 x 4 cm 59.1 x 59.1 x 1.6 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2020
Discount
This seller offers discount when you purchase multiple artworks.
Description
Painted with acrylic and oil on a cotton canvas. The artwork is stretched, varnished, ready to hang and ships in a wooden box with an Authenticity Certificate signed by the artist.
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I try to be fast and spontaneous when I’m painting - that process should be reflected in the final piece. The observer should be able to infer the physicality of the painting process, when looking at the brush strokes and paint drippings.
When I throw paint, I can do it with some premeditation - but I can never really predict where the paint will actually fall on the canvas. So, my approach to painting is - in part - based on chance, on small random accidents - it doesn’t rely exclusively on my persistence or my technique.
That’s why I don’t feel completely responsible for my paintings - in the sense that, although I can answer for my initial intentions, the final result is always something that I could never anticipate, and something that’s out of my absolute control.
- Mario Henrique
=============================================
I try to be fast and spontaneous when I’m painting - that process should be reflected in the final piece. The observer should be able to infer the physicality of the painting process, when looking at the brush strokes and paint drippings.
When I throw paint, I can do it with some premeditation - but I can never really predict where the paint will actually fall on the canvas. So, my approach to painting is - in part - based on chance, on small random accidents - it doesn’t rely exclusively on my persistence or my technique.
That’s why I don’t feel completely responsible for my paintings - in the sense that, although I can answer for my initial intentions, the final result is always something that I could never anticipate, and something that’s out of my absolute control.
- Mario Henrique
Presentation
Mario Henrique is a contemporary painter based in Cascais, Portugal.
After obtaining a degree in design at the University of Fine Arts in Lisbon, he began his career in online marketing and web development agencies as a creative director, where he led teams in Portugal, in Spain and Brazil. Ten years later he turned to contemporary painting, which had always been a side interest.
Mario is a prolific portrait painter who is fascinated by the unpredictability of human behavior, from brief glances to the impermanence of facial expressions. He uses unconventional and rough materials such as cardboard, inverted canvases and hardware tools, painting in an abrupt and spontaneous manner. His approach relies on drips, splashes and jets of paint, revealing the physicality of the painting process in the final work.
Mario Henrique's paintings are listed in private collections around the world and he has exhibited both locally and abroad. He is currently represented by several prestigious international galleries and has a studio that can be visited by appointment.
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