Erosion II, 2022
Painting : acrylic, mixed media · 40 x 30 x 2 cm 15.7 x 11.8 x 0.8 inch · Ready to hang
€800
800 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 72
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic , mixed media on canvas
Dimensions ( cm • inch )
40 x 30 x 2 cm 15.7 x 11.8 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2014 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
We are going through a period in history. The advent of war, pestilence, famine, death and the four horsemen alter our cognition, so that the original colors we see change quietly with the change in values. ; The Four Horsemen of the Apocalypse, also known as the Four Horsemen of the Apocalypse, from the Book of Revelation, Chapter 6, the last book of the New Testament of the Bible, traditionally and in modern literature interpreted as the Knights of the White Horse-Pestilence, Red Horse Rider-War, Dark Horse Rider-Famine, Gray Horse Rider (we said Green Horse Rider)-Death, however, the interpretation of White Horse Rider is slightly controversial, some clergy and religious scholars believe it represents conquest. In modern times, the four horses are described as spirit, morality, benevolence and vain.
Presentation
Yichao Sun is a contemporary Chinese painter born in 1983 in Shenyang, China. A graduate of the Fine Arts School of Shenyang University, he honed his artistic practice during a residency at the École d'art contemporain de Besançon, France. His work is part of the gestural abstraction movement, blending Eastern and Western influences.
Sun explores themes such as abstraction, graphic art and oriental aesthetics, using a variety of techniques, including painting and printmaking. His dynamic and expressive compositions reflect a constant research into perception and emotion.
He has presented his works in numerous solo and group exhibitions around the world, including in Shenyang, Beijing, Shanghai, Paris and Boston.
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