Colette, 2026
Sara Chelou  

Painting : aerosol paint, acrylic · 100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch

$1,283 1 283 $US

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Shipped from: France

Delivery to: United States , $ 140

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch Height x Width x Depth

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Professional art gallery • France

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Vetted seller since 2022

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Description
The title of this moving work is a nod to the Japanese pop art artist Murakami since the flower in question is one of his laughing flowers which enamel his work which places the work in a very post pop aspect. This work is a tribute to the mythical actress of the 1930s Louise Brooks. The interest of this image is also an image of feminism since it holds 2 pistols with a defiant air. In this painting, the pistols spit color in the image of the movement of the new realists who made paintings by firing a rifle, a technique unified in particular by the famous Nikki De Saint Phalle. It is therefore a double tribute on the one hand to the cinema of the 1930s and on the other hand an artistic reference where Europe and America meet. But the main thing is to indulge in the contemplation of the enigmatic beauty of Louise Brooks and the vitality of colors and material effects, which make it a moving and fascinating artistic object.
Sara Chelou, Colette

Sara Chelou

France  • 1972
324 followers

Presentation

Sara Chelou is an active witness to the beginnings of street art in France. It was in the 90s, in Paris, that she began to paint outside the walls, as a committed artist in the underground world, in industrial cathedrals and libertarian wasteland.

She has a journey that is both plastic and experimental which questions the role of the artist in the city but also his place in society.

Being part of some of the first artistic experimental collectives, she participated in the creation of the first urban art events and the first European festivals on the same subject (as in Budapest in Hungary), then brought her art in abandoned industrial wastelands before moving into various Parisian studios.

For her way of painting in the city, she plays with references from American pop culture with Keith Haring, Warhol, Lichtenstein, and graffiti culture from everywhere. Sara Chelou also takes an engaged look at our time. Her urban poetry accompanies us and her messages slows down our steps.

From street art to contemporary art through pop art, she is an artist who participates in the current artistic renewal.

In her paintings she speaks of a graphic culture and a time when art is expressed and oscillates between the forbidden and the game, leaves the workshop to confront society in the streets and in the cities, reflects the world and its tensions with different influences, a form of fusion between citizen reflection, geek culture and graffiti.

His work is free, without borders.

Recognized today on the French and international artistic scene through numerous exhibitions and especially by international collectors, her paintings know no borders, her works are present on all continents and her colors and messages carry a salutary universality. Through her paintings, the adventure reaches your home.

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