Degenerate, 2020

by Bao Hongyan

Painting : oil 75 x 80 x 3 cm 29.5 x 31.5 x 1.2 inch

$888

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Dimensions cm inch

75 x 80 x 3 cm 29.5 x 31.5 x 1.2 inch Height x Width x Depth

Framing

Not framed


Tags

Artwork sold in perfect condition

Artwork location: China

Oil on canvas


Degenerate. I don't know how to define this word. Of course, I can look up the dictionary definition, but my understanding is that perhaps it deviates from people's acceptance range and shows a continuous negative state in the eyes of how others perceive us. People believe that this person has fallen. Someone who is trapped by vices such as pornography, tobacco, alcohol, contraband, and so forth. In societal understanding, this type of person is a degenerate. Sometimes people joke and say, 'Ah, you've fallen recently.'. Then let's take a look at these people themselves. I think no one is aiming to fall, most people still want to be accepted as functioning members of society. And the fallen people, like the legs of this person in the painting, are surrounded by various temptations at their feet, behind them are the voices of various people, various notes of caution and curses, with their twisted faces on a yellow background. In this way, they confront the voices under their feet in the group to maintain a balance. I still want to say that not everyone's self-control is so resolute. Rather than being the corrupted, perhaps it is the face with the faux outrage that is the true portrayal of corruption? Once these people are identified as corrupt, how much space is left for them?
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About the seller

galerie bruno massa • France

Artsper seller since 2015

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Collector’s Guide

Imagine it at home

Bao Hongyan, Degenerate
Bao Hongyan

Bao Hongyan

China  • 1994

Bao Hongyan is a Chinese artist born in 1994 who lives and works in Nanjing, China. Her works revolve around emotions, self and gender, offering a unique interpretation of the surrounding environment and the events that occur.

His works express a certain perspective that reflects his vision of the world. This creative approach has evolved from completely unconscious to progressive awareness, constantly learning and improving. She projects a rebellious mindset to examine the conflicting relationships between self and society, with a strong emphasis on individual subjectivity.

Hongyan's works are influenced to some extent by his own ethnic culture in terms of color, which manifests in his application of colors and compositional freedom. For example, blue, white, red, yellow, green, etc. often appear in his works and are sometimes represented by symbols of different colors to represent his intentions.

However, this cultural lens of Hongyan's works is somewhat tangential. His works are also influenced by Impressionism, Cubism, Surrealism, Expressionism and Constructivism, which are themes that manifest themselves more consistently.

His symbol formation was originally inspired by Giacometti. At first, his subconscious feelings are transposed on paper. Gradually, this way of expressing her thoughts allowed for a more exaggerated somatic approach, which for her was both liberating and fascinating. This ever-changing symbolism is largely an identifying evocation of Hongyan's works to date.


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