Degenerate, 2020
Painting : oil · 75 x 80 x 3 cm 29.5 x 31.5 x 1.2 inch · Ready to hang
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Shipped from: China
Delivery to: United States , $ 141
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
75 x 80 x 3 cm 29.5 x 31.5 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
Degenerate. I don't know how to define this word. Of course, I can look up the dictionary definition, but my understanding is that perhaps it deviates from people's acceptance range and shows a continuous negative state in the eyes of how others perceive us. People believe that this person has fallen. Someone who is trapped by vices such as pornography, tobacco, alcohol, contraband, and so forth. In societal understanding, this type of person is a degenerate. Sometimes people joke and say, 'Ah, you've fallen recently.'. Then let's take a look at these people themselves. I think no one is aiming to fall, most people still want to be accepted as functioning members of society. And the fallen people, like the legs of this person in the painting, are surrounded by various temptations at their feet, behind them are the voices of various people, various notes of caution and curses, with their twisted faces on a yellow background. In this way, they confront the voices under their feet in the group to maintain a balance. I still want to say that not everyone's self-control is so resolute. Rather than being the corrupted, perhaps it is the face with the faux outrage that is the true portrayal of corruption? Once these people are identified as corrupt, how much space is left for them?
Presentation
Bao Hongyan is a Chinese artist born in 1994 who lives and works in Nanjing, China. Her works revolve around emotions, self and gender, offering a unique interpretation of the surrounding environment and the events that occur.
His works express a certain perspective that reflects his vision of the world. This creative approach has evolved from completely unconscious to progressive awareness, constantly learning and improving. She projects a rebellious mindset to examine the conflicting relationships between self and society, with a strong emphasis on individual subjectivity.
Hongyan's works are influenced to some extent by his own ethnic culture in terms of color, which manifests in his application of colors and compositional freedom. For example, blue, white, red, yellow, green, etc. often appear in his works and are sometimes represented by symbols of different colors to represent his intentions.
However, this cultural lens of Hongyan's works is somewhat tangential. His works are also influenced by Impressionism, Cubism, Surrealism, Expressionism and Constructivism, which are themes that manifest themselves more consistently.
His symbol formation was originally inspired by Giacometti. At first, his subconscious feelings are transposed on paper. Gradually, this way of expressing her thoughts allowed for a more exaggerated somatic approach, which for her was both liberating and fascinating. This ever-changing symbolism is largely an identifying evocation of Hongyan's works to date.
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