Nothing more, 2021
Haydee Torres  

Painting : oil · 61 x 45.7 x 3.8 cm 24 x 18 x 1.5 inch · Ready to hang

$1,200 1 200 $US

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Shipped from: United States

Delivery to: United States , $ 46

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

61 x 45.7 x 3.8 cm 24 x 18 x 1.5 inch Height x Width x Depth

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Credentials

Vetted seller since 2022

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Description
Contemporary expressionist portrait on canvas. The painting explores a modern balance of realism and abstract expressionism. Oil, Acrylic and ink on a gallery wrap canvas. Varnished ,Signature on the back. Wired. Finished black edges. Ready to hang.
Haydee Torres, Nothing more

Haydee Torres

United States  • 1858

Presentation

Artist Statement:

My interest lies, not so much in the concerted creation of a narrative, but in its discovery. Blending figurative and abstract elements, I hope to provoke a constant flux of responses, allowing the viewer to access the very same play between different interpretative possibilities that fuels my own creative processes. Through my work, I seek to explore the intricacies of our relationship to the body, while also investigating the tensions which arise between illusory pictorial space and the construction of concrete, tangible images. Fascinated with the formal processes of painting, I like to let the interplay of materials guide me, nudging me along whichever path they seem to be carving. An openness to the possibilities of chance, and the development of a keen awareness of the peculiarities and particularities of materials, is, I believe, key to freeing the image from the constraints of traditional narratives and schemes. By drawing attention to the process of image construction, I hope that each viewer will discover a more personalized and, perhaps, more meaningful narrative then what a singular interpretative framework could ever hope to provide. It is my hope that this confrontation between fixity and play, between tradition and the personal, allows each viewer to cultivate a more intimate relationship with images and art.

Education:

Art Institute of Fort Lauderdale Florida

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