No.206, 2022
Painting : acrylic, charcoal, pastel, Indian ink · 120 x 60 x 2 cm 47.2 x 23.6 x 0.8 inch · Ready to hang
$5,038
5 038 $US
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 351
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic , charcoal , pastel , Indian ink on canvas
Dimensions ( cm • inch )
120 x 60 x 2 cm 47.2 x 23.6 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2023
Discount
This seller offers discount when you purchase multiple artworks.
Description
No.206 is an artwork by Chinese artist Hongyu Zhang, it is made with India ink, charcoal, pastel and acrylic on kraft paper mounted on canvas.
This picture portrait is of a man whose face seems to be moving under the layers of pastel and ink. A veritable «human landscape» of which the lines get lost beyond the canvas. The stroke constitutes the basic unity : the artist draws them on the floor, to the beat of music which helps him find the strength, the rhythm, the motion of each stroke.
This picture portrait is of a man whose face seems to be moving under the layers of pastel and ink. A veritable «human landscape» of which the lines get lost beyond the canvas. The stroke constitutes the basic unity : the artist draws them on the floor, to the beat of music which helps him find the strength, the rhythm, the motion of each stroke.
Presentation
Hongyu Zhang began training in calligraphy and traditional Chinese painting at an early age. He graduated from the École des Beaux-Arts de Mongolie Intérieure, specialising in engraving, and then from the École des Beaux-Arts de Versailles.
In his early years, the contemporary artist's style was abstract and highly colourful. Marked by the death of his mother, colours disappeared from his works in 2006. Black and white took over. Shades of grey then dominated his colour palette.
Hongyu Zhang uses both traditional Chinese techniques, such as Indian ink, and acrylics, oils and pastels. Her canvases are marked by Western sources of inspiration, particularly engraving.
Her work revolves mainly around the line. Each line, each mark, symbolises strength. The whole structures the energy of the canvas. In this way, the artist conveys the movement, rhythm and vitality drawn from the music that accompanies the creation of her works.
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