Noir & blanc, 2023
Jian-Chung Tan  

Painting : Indian ink · 92 x 60 x 3 cm 36.2 x 23.6 x 1.2 inch

€2,750 2 750 €

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Shipped from: France

Delivery to: France , € 54

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

92 x 60 x 3 cm 36.2 x 23.6 x 1.2 inch Height x Width x Depth

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Vetted seller since 2019

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Description

In “Black and White”, Tan Jian-Chung explores the expressive power of pure contrast. The artist reduces the landscape to its essentials: masses, lines, and a light that seems to emerge from the material itself. This economy of means creates a quiet, almost meditative atmosphere, where every shade of gray becomes a space to breathe. The work reveals Tan Jian-Chung’s ability to transform a landscape into an inner experience—subtle and deeply sensitive.
With its monochromatic palette and graphic balance, this painting brings an elegant and contemporary presence to an interior. It fits perfectly into a minimalist living room, an office, or an entryway where one wishes to create a calm and refined atmosphere. Its black and white allows it to interact effortlessly with natural materials, light-colored walls, or minimalist furniture.

Jian-Chung Tan, Noir & blanc
Taiwan  • 1976
84 followers

Presentation

TanJian-Chung is a Taiwanese artist, graduated from the National Art School of Taiwan, holds a higher diploma from the Strasbourg School of Decorative Art and holds a doctorate in arts from the University of Lorraine But he is also a former student of the great masters of Chinese painting Li Chi-Mao and Su Feng Nan.


In his work, done with Chinese ink or watercolor which he mixes with mineral materials, he combines the traditional expression of Chinese painting with the contributions of Western lyrical abstraction trends to offer works which lead you to meditation .


Because unlike Western painting, Chinese painting is not just a visual representation of what the artist sees or imagines, it is more the expression of a way of thinking, highlighting harmony. between man and the universe, and the dynamism of this relationship.


Drawing on the dual tradition of Chinese painting and Western painting, Tan Jian-Chung seeks to liberate the traditional Chinese brush technique to introduce new forms and a technique even freer than Xieyi Hua , (Writing l 'idea or writing the intention), a free drawing where impressions are expressed, by means of ample lines.


Through his Indian ink paintings, he seeks to convey his vision and his feelings about the harmony that should exist between man and nature.

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