Noir & blanc, 2023
Painting : Indian ink · 92 x 60 x 3 cm 36.2 x 23.6 x 1.2 inch
€2,750
2 750 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 102
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Indian ink on paper
Dimensions ( cm • inch )
92 x 60 x 3 cm 36.2 x 23.6 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2019
Discount
This seller offers discount when you purchase multiple artworks.
Description
In “Black and White”, Tan Jian-Chung explores the expressive power of pure contrast. The artist reduces the landscape to its essentials: masses, lines, and a light that seems to emerge from the material itself. This economy of means creates a quiet, almost meditative atmosphere, where every shade of gray becomes a space to breathe. The work reveals Tan Jian-Chung’s ability to transform a landscape into an inner experience—subtle and deeply sensitive.
With its monochromatic palette and graphic balance, this painting brings an elegant and contemporary presence to an interior. It fits perfectly into a minimalist living room, an office, or an entryway where one wishes to create a calm and refined atmosphere. Its black and white allows it to interact effortlessly with natural materials, light-colored walls, or minimalist furniture.
Presentation
TanJian-Chung is a Taiwanese artist, graduated from the National Art School of Taiwan, holds a higher diploma from the Strasbourg School of Decorative Art and holds a doctorate in arts from the University of Lorraine But he is also a former student of the great masters of Chinese painting Li Chi-Mao and Su Feng Nan.
In his work, done with Chinese ink or watercolor which he mixes with mineral materials, he combines the traditional expression of Chinese painting with the contributions of Western lyrical abstraction trends to offer works which lead you to meditation .
Because unlike Western painting, Chinese painting is not just a visual representation of what the artist sees or imagines, it is more the expression of a way of thinking, highlighting harmony. between man and the universe, and the dynamism of this relationship.
Drawing on the dual tradition of Chinese painting and Western painting, Tan Jian-Chung seeks to liberate the traditional Chinese brush technique to introduce new forms and a technique even freer than Xieyi Hua , (Writing l 'idea or writing the intention), a free drawing where impressions are expressed, by means of ample lines.
Through his Indian ink paintings, he seeks to convey his vision and his feelings about the harmony that should exist between man and nature.
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