Community II, 2019
Felix Treadwell  

Painting : acrylic, pencil · 182.2 x 121.5 x 2.54 cm 71.7 x 47.8 x 1 inch · Ready to hang

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

182.2 x 121.5 x 2.54 cm 71.7 x 47.8 x 1 inch Height x Width x Depth

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Description

Provenance: Ltd Los Angeles, Los Angeles - Sotherby's London, 2024
Notes: Signed and Titled and Dated on the Overlap
About: Felix Treadwell was born in Maidstone, England in 1992. In his painting he often uses fictional characters who perform everyday actions. Treadwell studied art at Camberwell College of Arts and later specialised in painting at the Royal College of Art, where he graduated in 2018.--Felix Treadwell

Felix Treadwell, Community II
United Kingdom  • 1992

Presentation

"I want to bring optimism and a sense of positivity in our increasingly sad world."

Felix Treadwell paints with a tangible nostalgia for his youth. Human figures, fantasy creatures, animals and dinosaurs are all rendered in soft, pastel-hued gradients which combine airbrushing with hand-painted acrylic elements. In more saturated palettes, the artist also creates pencil and crayon sketches, fibreglass sculptures and oil stick drawings. Much like artists associated with the Superflat movement, such as Lo Chiao-ling and Yoshitomo Nara, Treadwell draws inspiration from manga and anime alongside traditional Japanese printmaking and woodcarving. He is also inspired by fashion blogs from the 2000s. In tandem, these influences convey a sentimentality felt by many millenials for the dawn of the internet.

Treadwell's paintings tell a coming-of-age story. At his 2021 show Buff Titan at L21 in Palma, a selection of nine paintings were hung in a continuous line across three walls. Each depicted a single figure – either a casually-dressed human or an archetypal monster. They all had similar postures, and walked in the same direction around the room. Together, the works constituted a playful version of the instantly-recognisable Darwinian diagram which shows a monkey evolve into a human. In this case, an evolution of identity. With thoughtfulness and understated humour, Treadwell reflects on the tumultuous and tender journey of becoming ourselves.

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