Southern light, 2024
Painting : acrylic · 40 x 30 x 2 cm 15.7 x 11.8 x 0.8 inch · Ready to hang
$586
586 $US
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Shipped from: Georgia
Delivery to: United States , $ 88
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
40 x 30 x 2 cm 15.7 x 11.8 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
43 x 33 x 3 cm 16.9 x 13 x 1.2 inch
Sold by
Art gallery
Professional art gallery • India
Credentials
Vetted seller since 2024
Description
This artwork exquisitely depicts a serene and contemplative scene within a tranquil greenhouse. Imbued with a soft, greenish hue, the painting captures a moment of quiet interaction between a woman and her botanical companions. With her back turned to the viewer, the woman, clad in a muted lavender blouse, gently tends to a small potted plant in her hands. Her posture and the tender manner in which she cradles the plant convey a profound connection with nature. In the background, several larger potted plants are arranged methodically, their delicate leaves and branches extending towards the woman, almost as if they are reaching out to her. The subdued lighting filtering through the greenhouse structure creates a harmonious blend of light and shadow, imbuing the scene with a sense of ethereal calmness and solitude. To the right, a black and white cat sits poised on the greenhouse floor, its gaze fixed on the woman, adding a layer of quiet companionship to the overall composition. The cat's presence signifies a bridge between the human and natural elements, fostering a sense of balance and peace within the enclosed green space. This painting masterfully combines elements of still life and portraiture, emphasizing the intricate relationship between humans and their environment. The unique use of color and light, along with the thoughtful placement of each element, makes this artwork a captivating and contemplative piece, inviting the viewer to pause and reflect on the beauty of simple, everyday moments.
Presentation
Avtandil Modebadze (b. 1991) is a versatile artist, stage, and costume designer whose work spans painting, photo collage, installation, and video installation. He studied at the Tbilisi State Academy of Arts, first focusing on media arts before transitioning to the Faculty of Fine Arts, where he specialized in Theater Painting (2008-2012).
Modebadze made his professional debut at the Rustaveli Theater with Peter Turrini’s Finally and followed it with the French play Vive le Bouc! by Jean Dell and Gérard Sibleyras in 2010/2011. His scenographic talent was further recognized in 2011 when he created a model for William Shakespeare's The Tempest for the Prague Quadrennial selection exhibition.
Between 2012 and 2013, he gained further recognition through his work on the GDS TV series No Panic as a costume designer and production designer. During this time, he also worked on his thesis at the Tbilisi State Academy of Arts, focusing on stage design and costumes for Albert Camus' The Misunderstanding. His studies continued in Germany, where he attended a masterclass led by Klaus Hipp in Munich, specializing in special painting and scenography for opera.
Modebadze’s career flourished with collaborations at the Royal District Theatre, where he worked on several productions, including Olympic Games and Marina Revia. In 2017, he was invited to Munich to contribute to Gaetano Donizetti’s opera Lucia di Lammermoor and participated in group exhibitions such as "Green" at the Dimitri Shevardnadze National Gallery and the Tbilisi Contemporary Art Fair Artisterium.
His work at the Kote Marjanishvili Theater includes scenography and costume design for Georg Büchner’s Woyzeck. Modebadze also ventured into educational projects, curating the award-winning "Contemporary Art Map," aimed at engaging children with contemporary art within museum spaces.
His diverse artistic engagements extended to wearable art with the creation of The Craftsman, a latex apron installation presented at Artarea Gallery. From 2018 to 2020, he served as the creative director for the Georgian children's brand Spilou, blending interactive design with cultural heritage.
Recent works include collaborations with Romanian director Adrian Giurgea for productions such as Henrik Ibsen's John Gabriel Borkman and The Good John Proctor by Talene Monahon at Colgate University in New York.
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