Mami Wata, 2022

Kevin Brewerton  

Mami Wata is often described as a mermaid-like figure, with a woman's upper body (often nude) and the hindquarters of a fish or serpent. In other tales, Mami Wata is fully human in appearance (though never actually human).[citation needed] The existence and spiritual importance of Mami Wata is deeply rooted in the ancient tradition and mythology of the coastal southeastern Nigerians (Efik, Ibibio, Igbo, Bahumono and Annang people). Mami Wata often carries expensive baubles such as combs, mirrors, and watches. A large snake (symbol of divination and divinity) frequently accompanies her, wrapping itself around her and laying its head between her breasts. Other times, she may try to pass as completely human, wandering busy markets or patronising bars. She may also manifest in a number of other forms, including as a man. Traders in the 20th century carried similar beliefs with them from Senegal to as far as Zambia. As the Mami Wata traditions continued to re-emerge, native water deities were syncretized into it. Here , In tribute to this deity, we see the artist's rendition of Mami Wata, in a slightly abstract manner, along with clear figurative lines, which serve the piece well in imagining various possibilities as to what the piece is saying, in a perfectly abstract manner.