Cayara, 2006
Benjamín Lafuente  

Painting : oil · 60 x 80 cm 23.6 x 31.5 inch

$937 937 $US

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Shipped from: Bolivia

Delivery to: United States , $ 121

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

60 x 80 cm 23.6 x 31.5 inch Height x Width x Depth

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Credentials

Vetted seller since 2020

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Description

This captivating landscape painting masterfully captures a serene rural scene from Cayara, Department of Potosi, Bolivia; defined by its vivid use of warm tones. The central tall cypress tree stands as a striking focal point, surrounded by rustic stone houses with terracotta roofs that blend harmoniously into the environment. Rolling hills in soft purples and pinks create a stunning backdrop, evoking a sense of depth and distance. The golden hues of the foliage convey a sense of tranquility and warmth, suggesting the glories of an autumn afternoon. The artist's brushwork is evident in the fluid, dynamic depiction of clouds that drift lazily across the sky. Shadows play intricately across the stone walls and fields, enhancing the composition's depth and realism. This painting not only captures a moment in time but also invites viewers to immerse themselves in its timeless natural beauty and pastoral charm.

Landscape

Andes

Bolivia

Rural landscape

Trees

colorful

Green

Benjamín Lafuente, Cayara
Bolivia  • 1967

Presentation

Benjamín Lafuente has received multiple first prize awards at a national level for his paintings as well as prints.  He started painting as a young teenager and identifies the natural environment as his main source of inspiration. His training developed to a great extent while painting outdoors with other older local painters. Even though he received formal training at the Cochabamba Superior School of Plastic Arts, specializing in printmaking, he characterizes himself as “self-taught by definition and academic by extension". 

His work reflects the impetus characteristic of the born artist in constant pursuit and exploration.  He argues: “there is no unity in my work, and you would not find it, because my works reflect the various moods and influences under which they are crafted, ranging in style from naturalism, impressionism, fauvism, cubism, sometimes bordering expressionism to the many contemporary neo-isms". His themes are as diverse as his stylistic approaches, ranging from the landscapes of the Andean valleys, traditional marketplaces, characters performing local trades, and fantastic renditions of artists´ ateliers.

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