Sans tître huile sur toile/chassis, 1986
Painting : oil · 146 x 114 x 5 cm 57.5 x 44.9 x 2 inch · Ready to hang
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Shipped from: France
Delivery to: Spain , € 250
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
146 x 114 x 5 cm 57.5 x 44.9 x 2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Description
This abstract work impresses with its bold use of color and texture. Dominated by a vast field of blue, it evokes a celestial or aquatic atmosphere, generating a sense of depth and infinity. Fluid black strokes cross the canvas, creating a dynamic contrast and bringing vibrant energy. The brown and ochre hues at the base add an earthy dimension, grounding the work while providing rich visual complexity. Touches of white and lighter blue seem to burst forth like a luminous explosion, drawing the eye toward the center. The balanced composition and play of light and shadow offer continuous movement that stimulates the viewer's imagination. This piece excels in its ability to merge abstraction with a tangible feeling, making it as contemplative as it is captivating.
Presentation
Robert MUS 09/07/1938 Carpentras (Vaucluse) - 06/09/2001 Aix-en-Provence (Bouches-du-Rhône.
Comtadin by birth and heart, Robert MUS, from a merchant and farming family, lived all his life in Saint-Didier, a Provençal village, the "lair" of his ancestors. After secondary studies at the Carpentras college where his taste for drawing and painting was revealed, he experimented as an autodidact in this alongside his job as a farmer. From 1956, the date of his first exhibition at the Chapelle du Collège among the independent painters of the Comtat, until the last posthumous one in his village with his friend Alain GROSAJT, he exhibited regularly in the South Region and beyond. Numerous exhibitions at the Galerie Michel (Carpentras) and the Galerie Lagier (L'isle-sur-la Sorgue). We find in his career significant dates:
● 1973 Festival An 3 Gigondas (Vaucluse)
● 1975 Sénanque Abbey (Vaucluse) ● 1982 René Char Library Museum L'isle-sur-la Sorgue (Vaucluse)
● 1985 Palace of the Popes Avignon (Vaucluse)
The canvases presented were exhibited in 1968 at the Galerie Michel (Carpentras) and mark the transition from figuratism to a “constructed" abstraction where geometry is still present. Drawings, watercolors, oils, collages follow one another over the years in the painter's work. After figurative beginnings marked by cubism and the still lifes of his youth, he evolved towards abstraction, gestural, exploring the resources of transparencies, layers and erasures to obtain effects of materials and movements. Working from small to large format, the work reflects his artistic and literary influences (Picasso, Braque, Matisse, René Char …), as well as the succession of Provençal seasons
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