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Summer Love, 2025
Clémence Dupuch   Emerging artists

Painting : acrylic · 100 x 65 x 2 cm 39.4 x 25.6 x 0.8 inch · Ready to hang

€2,300 2 300 €
Delivered in time for Christmas
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Shipped from: France

Delivery to: Germany , € 270

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 65 x 2 cm 39.4 x 25.6 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2018

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Description

In Clémence Dupuch's "Summer Love," color seems to breathe, vibrate, and tell the story of a summer memory all on its own. Through a play of luminous touches, the canvas aligns itself with the Neo-Impressionist tradition. But here, the gesture is freer, almost musical: the spirals of brushstrokes construct a shifting space, bathed in warmth and wind.

The scene is not realistic, but symbolic: two blue shadows stand out against a golden field, anonymous figures of an ephemeral couple whose very existence remains. Above them, white birds take flight, an obvious metaphor for freedom, for memories that vanish, or perhaps for the lightness of a summer love.

The contrast between deep blues and vibrant ochres creates an effect of chromatic complementarity. Yet, the painter transcends mere optical experimentation: his work lies at the crossroads of modern symbolism and a dreamlike post-impressionism. The spirals of the sky and clouds also evoke the cosmic energy of a Munch, where nature becomes the mirror of an inner state.

Summer Love is therefore a celebration of sensory memory: the memory of the wind in the wheat, of the late afternoon light, of the fleeting link between two beings.

Landscape

Animal

From the sky

Summer

Love

Munch

Neo-impressionism

Romanticism

orange

Dark blue

Clémence Dupuch, Summer Love
France  • 1994

Presentation

Her degree in political science did not destine her to become an artist, but her passion for drawing and her creative strength led her to another path.

"Dreams, love, hope, pain and fear surround us. My paintings speak of universal feelings, inner journeys and experiences that we all have. It doesn't matter what language you speak: art has no boundaries." Clémence Dupuch

Clémence was not destined for painting but for writing. She published her first novel at the age of 17. After studying political science and many trips, the call of art was irresistible. She started a life dedicated to the expression of human feelings, while training in psychology. She works in her Parisian studio and exhibits regularly, in official cultural venues but also in the open air, to meet a public curious about psychedelic and surrealist art.

For the artist, the beautiful is not enough to describe art. It is rather the sublime which represents the madness of the world. The sublime refers to the astonishment, the horror and the admiration mixed. It is at the same time the terror, the passion and the amazement of the soul. Clémence is interested in the paradox of the sublime: we are attracted by things that create in us ambivalent feelings between fascination, dazzlement and communion. Touched by the darkness of Egon Schiele and the light of the Nabis, she is inspired by the writings of Carl Gustav Jung and the landscapes of Felix Vallotton to take us on a journey through the land of feelings. 

Her works oscillate between abstraction and figurative. She works with the narrative power of symbols, allegories and Jungian archetypes. Love, sweetness and wonder rub shoulders with darkness. Images of childhood come to the fore, creating gardens of Eden with a Jungle feel. 

There is no need for words when shadows and lights are mixed together. Through mixed media combining painting, drawing, pastels, chalk, inks, the artist reminds us that even "the bravest of us is afraid of his own self" (Oscar Wilde). She expresses the silent cries of a world where pain and joy are two sides of the same coin.

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