Bronze Sculpture for Sale
Elle,
2025
Zeta Yeyati
Painting : collage, mixed media
70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch
€309
309 €
Secure delivery : France
+ €53
Shipping : Less than one week
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About the artwork
Type
Unique artwork
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Mexico
Elle obra de Zeta Yeyati a male portrait where intimacy meets universality
Elle obra de Zeta Yeyati is a work that seems to hold time in suspension. Executed on paper at a scale of 50x70cm, the piece employs mixed media including acrylic, stencil, and collage to reveal a male figure whose identity unfolds through poetic suggestion. The character known as Elle inhabits a deliberate space of ambiguity, balancing masculinity with enigma, presence with silence. He emerges from a visual narrative that merges imagination and lived experience. His gaze, defined by restrained lines and gentle layers of transparency, radiates a quiet intensity that draws the viewer inward. The incorporation of reclaimed materials and overlapping textures enriches the surface both visually and conceptually, introducing ethical and symbolic resonance. Elle is not simply portrayed but constructed as a metaphor for fragmentation and renewal. Through this work, Zeta Yeyati demonstrates an artistic philosophy that reaches beyond aesthetics, revealing transformation as an accessible and powerful creative act. Elle obra de Zeta Yeyati transcends portraiture, becoming a voice shaped from what once lay forgotten.
From rhythm to drawing the formative sensitivity of Zeta Yeyati
Born in Burzaco in 1965, Zeta Yeyati navigates multiple creative disciplines with ease, yet his earliest artistic impulses were rooted in the visual realm. Though widely recognized for his musical career, his imagination was first awakened through drawing and woodworking during childhood. This early engagement with hands-on creation and material exploration fostered a sensitivity that continues to inform his work. Recycling within his practice is not merely a technical choice but a way of seeing the world, a lens through which overlooked materials are reimagined. His art carries the quiet poetry of recovery, elevating what society abandons into spaces of meaning and expression.
Elle obra de Zeta Yeyati identity shaped through recovered matter
Elle obra de Zeta Yeyati reflects the core of the artist's creative methodology. Working outside academic conventions, Yeyati embraces an intuitive and self-directed approach, blending spontaneity with ecological awareness. As in much of his production, he relies on urban remnants and found objects that carry traces of past use, weaving them into a visual language through collage and assemblage. The figure of Elle is built not only from pigment but from accumulated histories, textures, and emotional layers that evoke both memory and imagination. The fusion of graphic and pictorial elements, combined with expressive brushwork, intentional stains, and a liberated use of space, constructs a scene where meaning unfolds without words. A nostalgic atmosphere permeates the work, softened by playful and subtly ironic accents, encouraging the viewer to project their own narrative onto the figure.
Where others discard Zeta Yeyati discovers meaning
Elle obra de Zeta Yeyati encapsulates the artist's aesthetic and ethical stance with clarity. Beyond its visual impact, the piece functions as a declaration of values, affirming the possibility of renewal, the beauty inherent in repair, and the emotional power of the everyday. Rather than dictating interpretation, the work opens a symbolic field where each mark, color, and texture resonates with lived reality. Elle is both observer and observed, a presence that invites reflection while quietly questioning the viewer. Through this piece, Zeta Yeyati reinforces the idea that art does more than mirror the world, it reshapes it with intention, sensitivity, and care.
Collector’s Guide
Discover more by the artist
Presentation
Zeta Yeyati (Burzaco, 1965) is a visual artist who has transformed recycling into a poetic language and forgotten matter into an act of aesthetic redemption. While the public has come to know him as a musician in projects like Los Intocables, La Mississippi, or Babel Orkesta, his true creative roots lie in the visual arts. Visual expression was his first terrain. Before the chords came drawing. Before the stages came interlocked tree trunks.
A restless and sensitive autodidact, Yeyati attended workshops with figures such as Antonio Pujía, León Ferrari, and Diana Aisemberg, yet his work doesn't follow any formal school. He moves freely between ceramics, collage, stencil, and assemblage. His aesthetic is nourished by what others discard: street posters, scraps of iron, furniture legs, bronzes, and aged wood. A dumpster was his first museum. Then came flea markets, where he continues to collect remnants for his unique pieces.
In his works, dogs, birds, musicians, queens, horses, and magicians coexist, as if each figure emerged from a story older than the object itself. His repertoire is populated by characters that rise from the collage with the force of a lucid dream. He does not seek to imitate reality but to reincarnate fragments of it. As curator Rodrigo Alonso described, his art is a “vital philosophy" — a gesture that defies consumerism and embraces the possibility of reviving the forgotten.
Color —present with striking intensity in his recent work— arrived through an internal shift: his encounter with Milo Lockett, which not only redefined his palette but also his way of sharing his universe. Since then, Yeyati's work pulses with a more playful energy, without losing its symbolic depth.
Yeyati does not merely create images —he builds an emotional archaeology from the remnants of everyday life. Each work is a story made of time, memory, and waste; a rescue act that restores humanity to matter. From that gesture —profoundly plastic and profoundly human— his art speaks to those willing to look beyond the surface.
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