Presence accidentelle, 2026
Painting : oil, acrylic, marker · 80 x 60 x 2 cm 31.5 x 23.6 x 0.8 inch · Ready to hang
$1,704
1 704 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 210
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
80 x 60 x 2 cm 31.5 x 23.6 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
A singular face imposes itself at the center of the composition. The black line, sharp and assured, outlines a portrait with deliberately skewed proportions. One eye fixes the viewer while another seems to escape. The mouth, highlighted with a bright red, sketches an enigmatic smile.
The background is built by accumulation. Collage interweaves with paint to create a dense surface. Fragments of texts and capital letters emerge from the chromatic chaos. Yellow dominates, punctuated by touches of red and brown.
The work of the materials reveals an instinctive approach. The artist superimposes oil, acrylic, and marker. This hybrid technique recalls the codes of raw art and graffiti. Each layer adds a tactile dimension to the surface.
The work explores the tension between wisdom and instinct. It acts as a mirror where raw emotions are reflected. The gaze becomes here the central point of a silent dialogue. The composition ends with plays of transparency and scratches on the support.
Presentation
I started my career as a salesperson before becoming a decorator, where I began designing lamps... my meeting with a graffiti artist in 2017 marked a decisive turning point in my career.
I express myself through painting as others scream or cry.
I work mainly with oil sticks – I like this thick, raw, almost wild material. I use my finger to feel it, to stay in contact. Getting my hands dirty is part of the process: the more I'm immersed in the material, the more alive I feel.
My journey isn't linear. There wasn't a clear turning point, but rather a constant ebullition. My style took shape little by little, until a small, recurring face—my gaze, my double, my silent witness—took over. This figure, sometimes a sad clown, sometimes a monster, has become my graphic signature.
My work is very instinctive, but never gratuitous. Every line, every contrast between a "human" eye and a "bulging" one, between a tense or smiling mouth, speaks of this inner tension: between the wise and the trashy, between my upbringing and the anarchist fire.
If my paintings could speak, they would surely say:
“Look deep into me… and now, what do you really feel?" My painting is a mirror. And sometimes, a therapy.
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