Composition abstraite. Huile sur toile. Très rare oeuvre de cette époque de 1960, période abstraite de l'artiste Alain Jacquet, 1960
Alain Jacquet   Master Artists

Painting : oil · 100 x 81 x 3 cm 39.4 x 31.9 x 1.2 inch · Ready to hang

€14,500 €13,050 13 050 €
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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

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Dimensions ( cm • inch )

100 x 81 x 3 cm 39.4 x 31.9 x 1.2 inch Height x Width x Depth

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Description

Abstract Composition. Oil on canvas, 1960, signed, dated, and bearing the reference AJ-CA-1-60 on the reverse.
Provenance: Joron Dorem, Paris; Alain Jacquet estate, 2011.
Certificate: Certificate of authenticity dated 09/15/25, established by Sophie Matisse & Gaia Jacquet-Matisse.
Collection: Private collection.

Alain Jacquet, Composition abstraite. Huile sur toile. Très rare oeuvre de cette époque de 1960, période abstraite de l'artiste Alain Jacquet

Alain Jacquet

France  • 1939  - 2008
61 followers

Presentation

After two years at the Ecole nationale des Beaux-Arts, in architecture class, Alain Jacquet moved to
New York in the early 1960s. Close to new realism, the artist works having as an inspiration classical paintings and uses advertisements and magazines.

In 1963, In Paris, he took part in Mec Art Group which included artists such as Gianni Bertini, Pol Bury, Mimmo Rotella, and Pierre Restany. These artists used processes of mechanical production of images such as a screen painting, on different media (jute, hardboard, plexiglas, wood).

Alain Jacquet favors the pointillist aspect of the grid behind the picture. His works are exhibited at the Fraser Gallery in London in 1963, and Lo-las Gallery n New-York in 1964. In the early 1970s, he became interested in esoteric thought and in systems such as braille and his correspondence with The Yi-King ("Mandala", 1972 ; "La Barat-te", 1971-1975).

In 1978, the use of computer technology allows him to create "paintings of visions" from metamorphosed photographs of the earth, from which arises a possible cosmology ("The Truth coming out of the well", 1983; "Space Ship", 1988).

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