Sans Titre, 2024
Painting : acrylic, resin · 30 x 30 x 8 cm 11.8 x 11.8 x 3.1 inch
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
30 x 30 x 8 cm 11.8 x 11.8 x 3.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2020 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This wall sculpture literally explodes into space, like a pop fruit opened in two.
The overall shape evokes an organic, almost cerebral silhouette, divided into two contrasting hemispheres: on the left, a play of greens, yellows, and purples; on the right, a warm vibration of solar orange bordered with yellow. The colors seem superimposed in strata, like layers of thought, levels of emotion.
At the center, an intense red line runs through the composition. It meanders, stretches, and asserts itself. This motif, both vegetal and calligraphic, brings movement and tension. It connects the two parts like a living network, a circulating energy, a breath that maintains the balance between the contrasts.
The three-dimensional work reinforces the presence of the piece: each layer creates a distinct, shaded, almost tactile relief. In the bright, white kitchen, the piece becomes a powerful focal point. It interacts with the freshness of the herbs, the yellow of the lemons, the natural wood—but it remains untamed, joyfully audacious.
It's a work that doesn't just decorate a wall: it animates it. It injects vitality, color, and character.
Presentation
Laurent HDBX is a visual artist born in Paris in 1961.
Trained at the Beaux-Arts, he initially embarked on a demanding and intensive career in design and communication, where he honed his sense of composition, rhythm, and visual impact. This early period profoundly influenced his artistic style: precision, efficient execution, and a strong visual culture became the foundations of his work.
From 2008 onwards, he chose to settle on the shores of the Mediterranean and devote himself fully to his personal practice. This decisive turning point opened up a freer field of exploration, where painting and sculpture engage in dialogue without hierarchy.
Laurent HDBX defines himself as a "painter in volume." His research goes beyond the surface: he constructs, superimposes, carves, and assembles. Matter becomes language, color becomes vibration. Reliefs capture light, pigments assert themselves with intensity, and each work imposes an immediate physical presence.
His world is both instinctive and structured, raw and controlled. He leaves little room for explanation, preferring direct impact and sensory experience. Information about him is deliberately scarce; the artist effaces himself behind the work, letting the material and color speak for themselves.
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