Theory of Chaos, 2020
Painting : acrylic, Posca · 120 x 80 x 1 cm 47.2 x 31.5 x 0.4 inch · Ready to hang
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Shipped from: France
Delivery to: United States , $ 192
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
120 x 80 x 1 cm 47.2 x 31.5 x 0.4 inch Height x Width x Depth
Artwork dimensions including frame
120.5 x 80.5 x 2 cm 47.4 x 31.7 x 0.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2020 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
A burst of colours, as if the city had exploded onto the canvas.
This work pulses, vibrates, breathes the hot asphalt and raw energy of graffiti. The layers intertwine without ever suffocating: electric turquoise, incandescent pink, acid green, solar orange — a saturated palette that seems to burst out of the frame.
At the center, a sharp, almost totemic black form structures the apparent chaos. It acts as a graphic spine, anchoring the gaze to the heart of this chromatic storm. Around it, lettering overlaps, responds to, and clashes. Signatures dance, tags intertwine, and spray paint still drips—the vertical white streaks add a sense of movement, as if the paint had just passed through the surface.
The figurative elements—markers, spray paint, gestural traces—blur the line between representation and reality. The work plays with the mise en abyme of graffiti itself: tool and gesture become motif, almost manifestos.
There is a delightful tension here between control and spontaneity. Nothing is left to chance, and yet everything seems to spring forth in the moment. An urban composition, vibrant and luminous—a city wall captured, amplified, and sublimated.
It's not a piece to be looked at, it's to be experienced. It imposes its presence, transforms the space, and immediately injects a vibrant and contemporary energy.
Presentation
Poser was born in 1986 in Suresnes. He grew up in Essonne, drawn from a very young age to a diverse artistic sensibility: music, drawing, painting, photography. Art is not a choice for him, but a natural breath, an instinctive territory to which he constantly returns, as if guided by an inner calling.
In 2004, his encounter with graffiti was a revelation. The black and white of pencil gave way to the vibrant colors of spray paint. Wastelands became his studio, walls his playground. There, he discovered the raw energy of lettering, the power of the gesture, the adrenaline rush of the moment. He fell in love with lettering as much as with Hip-Hop culture as a whole—a visual and sonic language that profoundly shaped his artistic identity.
Trained in applied arts, then becoming an interior architect, Poser developed a keen understanding of space and composition. He learned to read volumes, to consider forms within their environment, and to orchestrate colors with precision. This dual approach—instinctive and structured—informs his entire practice today.
His world is a crossroads of influences: comics, classical painting, graffiti, street art, Japanese prints, and contemporary graphic design. He doesn't simply juxtapose these references; he fuses them. His works become spaces for dialogue where urban culture meets the elegance of line, where spontaneity is balanced with mastery.
Between tension and harmony, energy and delicacy, Poser composes a unique visual style — vibrant, rooted in its time, but traversed by more timeless resonances.
Reviews from our customers
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