Submerged Tranquility III | Luminous Ocean Abstract Artwork in Emerald and Violet, 2026
Yana Dmitrieva  

Painting : oil · 40 x 30 x 1.5 cm 15.7 x 11.8 x 0.6 inch · Ready to hang

€466 466 €
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Shipped from: Montenegro

Delivery to: Germany , € 74

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

40 x 30 x 1.5 cm 15.7 x 11.8 x 0.6 inch Height x Width x Depth

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Description

"Submerged Tranquility III" | Contemporary Luminous Ocean Abstract Artwork in Emerald and Violet.

This oil on canvas artwork from the series captures the shifting distortion of sea stones beneath moving water. Expressive strokes in emerald green, pearl white, and deep violet create luminous depth and fluid motion. The layered texture reflects refracted light, giving the artwork a dynamic yet calming presence.

Ideal for contemporary interiors, this abstract ocean artwork works beautifully in modern living rooms, minimalist bedrooms, or coastal-inspired spaces. A refined statement piece and a meaningful gift for collectors seeking meditative, nature-inspired contemporary art.

Abstract

Under Water

Conceptual

Abstract art

Abstract expressionism

Rocks

Semi-abstract

Underwater

Green

Yana Dmitrieva, Submerged Tranquility III | Luminous Ocean Abstract Artwork in Emerald and Violet
Montenegro  • 1981

Presentation

Yana Dmitrieva is a contemporary artist whose practice moves between figuration, abstraction, and surrealism to examine uncertainty, adaptation, and the preservation of self. Her paintings focus on moments when familiar structures begin to dissolve and identity becomes something fluid rather than fixed.

Figures in Dmitrieva's work are frequently faceless. By withholding individual expression, she shifts attention toward the body itself — its posture, tension, balance, hesitation, and instinctive response to circumstances beyond its control. Human forms stretch, merge with fish and other organisms, or inhabit spaces that seem simultaneously above and below water.

Migration forms an important conceptual undercurrent in her practice, but the work deliberately avoids literal autobiography. Displacement becomes a broader psychological condition that can arise through relocation, loss, motherhood, separation, reinvention, or any experience in which a familiar version of the self no longer feels sufficient.

Her distinctive palette of aquatic blues, luminous greens, violets, and unexpected chromatic transitions intensifies this sense of instability. Landscape becomes less a physical location than an extension of consciousness.

Dmitrieva's ongoing Displaced Bodies series considers the body as an archive of uncertainty. Rather than illustrating what has happened to a person, the paintings preserve the physical state of being caught between what was and what comes next — a vulnerable, unresolved territory in which transformation has begun but identity has not yet settled.

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