Les silencieuses 2, partie 4/6, 2023
Painting : Watercolour, acrylic, pencil, glue · 146 x 97 x 4 cm 57.5 x 38.2 x 1.6 inch · Ready to hang
€5,100
5 100 €
Shipping & delivery
Shipped from: France
Delivery to: Spain , € 153
Estimated delivery: Three to four weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
Watercolour , acrylic , pencil , glue on canvas
Dimensions ( cm • inch )
146 x 97 x 4 cm 57.5 x 38.2 x 1.6 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
Presentation
Florence Dussuyer is a French artist born in 1978, who lives and works in Rhône. She studied applied arts in Lyon and plastic arts in Saint Etienne and then did an internship at the School of Fine Arts of Hô-Chi-Minh.
The time she lived in Vietnam has deeply influence her work and that reflects in her paintings, specially by her use of light, creating pretty steamy scenes, sliding very soft materials and mostly cold colors.
Even if the composition of her paintings reflects the obvious influence of her time in Hô-Chi-Minh, specially by her way of representing women in lascivious positions, she recently started adding more details to her paintings and using warmer colors trying to create surprising chromatic relations.
Her work has been exhibited in numerous group and solo exhibitions in Liege, Belgium and Paris, France among others, as well as at contemporary art fairs such as St-Art Strasbourg in 2016, Art Up Rouen and Art Up Lille the same year.
The time she lived in Vietnam has deeply influence her work and that reflects in her paintings, specially by her use of light, creating pretty steamy scenes, sliding very soft materials and mostly cold colors.
Even if the composition of her paintings reflects the obvious influence of her time in Hô-Chi-Minh, specially by her way of representing women in lascivious positions, she recently started adding more details to her paintings and using warmer colors trying to create surprising chromatic relations.
Her work has been exhibited in numerous group and solo exhibitions in Liege, Belgium and Paris, France among others, as well as at contemporary art fairs such as St-Art Strasbourg in 2016, Art Up Rouen and Art Up Lille the same year.
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