Flowers grow on my pain, 2026
Painting : acrylic · 170 x 150 x 2.5 cm 66.9 x 59.1 x 1 inch
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Shipped from: Ukraine
Delivery to: Spain , € 220
Estimated delivery: Two to three weeks
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
170 x 150 x 2.5 cm 66.9 x 59.1 x 1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Description
About the artwork:
Flowers Grow on My Pain refuses the idea that pain must remain silent, closed, or disfiguring. The figure’s body opens into floral forms, turning sites of vulnerability into zones of growth, desire, and transformation. Here, suffering is neither romanticized nor erased; it is absorbed into the body’s living language, where femininity and sexuality emerge not despite injury, but through the power to remain open, fertile, and fully present.
Perichoresis series
“Perichoresis" (ancient Greek περιχώρησις - “interpenetration"), a theological term meaning the mutual penetration of divine parts into each other, to describe a unique union that does not imply mixing or merging, but emphasizes an indivisible unity.
Daria explores the theme of new sexuality, deliberately choosing a term from theological treatises for her series of works.
With this gesture, she protests against the dictates of religion, the church's manipulation and pessimization of human sexual manifestations and physicality, the false meanings and concepts with which religions have burdened, and instead of building true connections and bridges for man and God, they build walls.
“Perichoresis" for her is a beautiful and complex term that describes the fusion of the divine and the material. Having grown up in the Protestant tradition within an Orthodox society, Daria notes the common separation of sexuality from divinity in all these religions, while she sees sexuality as the clearest manifestation of divinity, beauty, and sublimity.
The artist notes that Christian culture has invested the image of the female body with a narrative of pornographic tension, while at the same time presenting paradise before the Fall as a sexual paradise, the Garden of earthly pleasures. For the artist, sexual paradise is a safe environment, complete trust, acceptance, the opportunity to open up and discover the Other, the opportunity to learn to be loved and to love.
Love is an environment where merging does not dissolve in another person, but on the contrary, strengthens the individuality of each and enriches each other.
Thus, the artist reminds that the division into the sublime and the low in love is artificial, and overcoming this division can make life more beautiful. The heroes of her paintings are immersed in the enigmatic space of love, and sometimes there are ironic scenes that balance the degree of sublimity.
Presentation
Dasha Pogodina is an experienced Ukrainian artist based in Switzerland whose paintings have been exhibited in Ukraine, Slovenia and Switzerland.
She describes her distinctive figurative works as being about the "here and now" and celebrating the moving moment. Having been forced to flee her country twice due to war, she finds solace and strength in the works of renowned impressionist, Claude Monet.
Pogodina most often creates with oils on canvas.
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