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Marc Vuillermoz, Campus, Painting on wood
Marc Vuillermoz, Campus, Painting on wood
Marc Vuillermoz, Campus, Painting on wood
Marc Vuillermoz, Campus, Painting on wood
Marc Vuillermoz, Campus, Painting on wood
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Marc Vuillermoz, Campus, Painting on wood
Marc Vuillermoz, Campus, Painting on wood
Marc Vuillermoz, Campus, Painting on wood
Marc Vuillermoz, Campus, Painting on wood
Marc Vuillermoz, Campus, Painting on wood
Marc Vuillermoz, Campus, Painting on wood
Marc Vuillermoz, Campus, Painting on wood
Marc Vuillermoz, Campus, Painting on wood
Marc Vuillermoz, Campus, Painting on wood
Marc Vuillermoz, Campus, Painting on wood

Campus, 2025
Marc Vuillermoz

Painting : oil

60 x 90 x 2 cm 23.6 x 35.4 x 0.8 inch

€4,900 4 900 €

One of the last works available by this artist

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Secure delivery : France   + €100
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About the artwork

Type

Unique artwork

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Medium

Painting: oil

Dimensions cm • inch

60 x 90 x 2 cm 23.6 x 35.4 x 0.8 inch Height x Width x Depth

Support

Painting on wood

Framing

Black floater frame

Artwork dimensions including frame

64 x 94 x 4 cm 25.2 x 37 x 1.6 inch

Tags

Urban Landscape Artworks

Landscape

figurative

Rain

Road

Sky blue

Artwork sold in perfect condition, framed, ready to hang

Artwork location: France

This work depicts a wet road intersection under a dramatic sky, where raindrops contrast with vibrant yellow streaks. On the horizon, bluish mountains rise, creating a striking sense of depth. The surrounding vegetation, though understated, adds a touch of soothing greenery. The masterful use of light accentuates the scene's mysterious and almost cinematic atmosphere. The turbulent clouds in the sky appear animated, conveying a sense of immediacy and unpredictability. The meticulous detail of the textures, both on the road and on the building surfaces, captivates the viewer's eye. This painting successfully conveys both tranquility and movement, evoking a rich and immersive sensory experience.

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About the seller

Nulle p.art gallery • France

Vetted Seller

Collector’s Guide

Marc Vuillermoz, Campus

Discover more by the artist

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Painting, La piste, Marc Vuillermoz

La piste

Marc Vuillermoz

Painting . 60 x 60 x 2 cm Painting . 23.6 x 23.6 x 0.8 inch

€4,000

Marc Vuillermoz
France

Presentation

A painter and academic, for around fifteen years I have been combining research and creation to highlight the way in which new media shape our perception of the sensitive world.

The images that inspire my pictorial work are not photographs, but raw images provided by screenshots taken from amateur video clips or the Google maps function. However distinct they may be in their mode of production, these two documentary sources share a common ambition: to deliver to the stunned spectator a striking image of reality while making us forget the artifices that govern its creation. On the internet, one of the main springs of this illusion lies in the solidarity of images in the flow that contains them. Each image builds on the previous one, extends it and replaces it. But when one of them is extracted from its original environment, it disintegrates, becomes strange: all its imperfections, erased until then by the process of succession, stand out with a particular acuity and distance it from its referent. However, the eye instructed by painting immediately finds its bearings and its gratifications there.

What I seek to exploit in my paintings are therefore the pictorial potential of these imperfect images, which sometimes border on abstraction. This aesthetic approach is accompanied by a reflection on the digital image, whose uses, in the era of post-photography, have profoundly changed our understanding of the surrounding reality.

To pictorially translate the "noise" of unprocessed digital images, I have developed a particular technique of oil painting on greasy coatings. After covering a sheet of plywood with a thick layer of coating worked with a spatula, I sand my support to give it a practically smooth appearance. I then paint in successive, very diluted layers. However, as soon as the juices come into contact with the support, the underlying relief reappears because the pigments invest primarily the micro-interstices of the coating crust. This results in a particular vibratory effect: the contours of the objects branch out, the material disperses in unexpected directions, the roughness of the support sometimes contradicts the brushstroke. It is in this permanent tension between the control of the gesture and the randomness that I conceive my pictorial approach.

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