Bronze Sculpture for Sale
Painting : aerosol paint, acrylic, Posca
60 x 50 x 2 cm 23.6 x 19.7 x 0.8 inch
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Type
Unique artwork
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
60 x 50 x 2 cm 23.6 x 19.7 x 0.8 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
This abstract artwork captivates with its bold explosion of colors and dynamic shapes. Vivid shades of blue, red, and yellow intertwine in an energetic swirl, creating a striking contrast. Fast, fluid brushstrokes add a sense of movement and depth, while textured elements emerge to give the piece a tactile dimension.
Lines and forms overlap without constraint, symbolizing pure and spontaneous freedom of expression. Touches of orange and green introduce a subtle harmony, guiding the viewer's eye through this playful composition. The work challenges through its intensity and invites personal interpretation, evoking both chaos and beauty. It is a masterful example of modern abstract expressionism.
Richard Trian's work is experienced as a spiritual operation because all the images he presents are poetic in nature. They allow us to humanize the forces of the cosmos, ultimately leading to a true cosmology of humanity.
The spiritual life that dominates his work results from this action of making things grow, of elevating them.
This is why the painter's images are purely poetic, like those of the poet Shelley, for whom they are all comparable to "".
Dynamic images that uplift, lighten our load, lift us up and transcend us.
The aerial dimension shines through surprisingly in Richard Trian's work, despite the tangle of forms and the strong intensity of the colours he uses.
What he offers us is a dreamlike journey. An aerial journey on waves, in a boat rocked in an ocean, caressed and sometimes battered by the waves.
Shelley himself said: " " (Shelley, Works, trans. Rabbe, vol. II; Epispsychidion, p. 274)
The psyche devoted to water actually joins all the elements of the cosmos; Shelley's poetics already led us to a chosen land like a "
Similarly, Richard Trian's poetics draws on all the natural elements such as water, earth, fire, wind…
His inspiration from urban culture and his attraction to the "beyond black" of a Soulages often lead him to use colors that explode like dynamite with dense, compact and electric forms.
Certainly, the artist needs to mark his territory with a very expressive or even violent painting in order to actually access a completely different dimension, that of interiority and meditation.
The painter embraces this paradox as his personal imprint, his own identity.
He does not idealize the spectacle of nature but absorbs it to expand the world through his own world, beyond all limits.
Christian Schmitt
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