Colza V, 2019
Marie-Louise van den Akker  

Painting : oil · 70 x 100 x 3.5 cm 27.6 x 39.4 x 1.4 inch

$1,639 $1,475 1 475 $US
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Shipped from: France

Delivery to: United States , $ 246

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

70 x 100 x 3.5 cm 27.6 x 39.4 x 1.4 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

The gaze glides over an abstract landscape where the earth and sky merge. The composition is organized in horizontal strata. Shades of acid green and lemon yellow dominate the lower part. They evoke the brilliance of a rapeseed field in spring.

The top of the painting opens up to bluish-gray and silvery tones. These hues suggest the immensity of a horizon. The dialogue between the colors creates a serene balance.

The technique relies on the application of very thin layers of oil. The painting is worked by scraping and moving on a wooden panel. This process reveals subtle transparencies and a remarkable visual depth. The fluid lines guide the eye and bring a graphic rhythm to the whole. The approach does not seek to copy nature but to translate its essence. The final rendering is characterized by surprising nuances and great lightness. The work is presented on a rigid wooden support.

Landscape

Rural landscape

Green

Marie-Louise van den Akker, Colza V
France  • 1971

Presentation

Originally from the Netherlands, I completed my studies at the Breda Academy of Fine Arts in 1993. In 2001, I settled in France, in the Creuse region. I combine my life as an artist with that of an art therapist. I exhibit regularly in France and the Netherlands (Concept Store Gallery, La Baule – Salon d'Art Contemporain d'Auvergne, Clermont-Ferrand – Galerie Peter Bax, Sneek, The Netherlands) and I participate in land art or environmental art festivals (Vign'art, Epernay – Festival de l'Estran, Côte de Granit Rose).

My small paintings are the simplest; they contain only color, sky, and sea. The larger paintings can be more complex, a graphic design blending with the transparent colors of the sea, seeking a harmony of several different elements. I don't reproduce nature, but I need this interaction with nature, this "dialogue," to nourish my work.

As a support for my paintings, I often use wooden panels. The wood is rigid, which allows me to scrape and push the paint away. I apply oil paint in thin layers that are then moved or pushed away. This way of working allows me to play with transparencies and layering, to find colors with a certain depth and surprising nuances.

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