Colza V, 2019
Painting : oil · 70 x 100 x 3.5 cm 27.6 x 39.4 x 1.4 inch
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 246
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
70 x 100 x 3.5 cm 27.6 x 39.4 x 1.4 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
The gaze glides over an abstract landscape where the earth and sky merge. The composition is organized in horizontal strata. Shades of acid green and lemon yellow dominate the lower part. They evoke the brilliance of a rapeseed field in spring.
The top of the painting opens up to bluish-gray and silvery tones. These hues suggest the immensity of a horizon. The dialogue between the colors creates a serene balance.
The technique relies on the application of very thin layers of oil. The painting is worked by scraping and moving on a wooden panel. This process reveals subtle transparencies and a remarkable visual depth. The fluid lines guide the eye and bring a graphic rhythm to the whole. The approach does not seek to copy nature but to translate its essence. The final rendering is characterized by surprising nuances and great lightness. The work is presented on a rigid wooden support.
Presentation
Originally from the Netherlands, I completed my studies at the Breda Academy of Fine Arts in 1993. In 2001, I settled in France, in the Creuse region. I combine my life as an artist with that of an art therapist. I exhibit regularly in France and the Netherlands (Concept Store Gallery, La Baule – Salon d'Art Contemporain d'Auvergne, Clermont-Ferrand – Galerie Peter Bax, Sneek, The Netherlands) and I participate in land art or environmental art festivals (Vign'art, Epernay – Festival de l'Estran, Côte de Granit Rose).
My small paintings are the simplest; they contain only color, sky, and sea. The larger paintings can be more complex, a graphic design blending with the transparent colors of the sea, seeking a harmony of several different elements. I don't reproduce nature, but I need this interaction with nature, this "dialogue," to nourish my work.
As a support for my paintings, I often use wooden panels. The wood is rigid, which allows me to scrape and push the paint away. I apply oil paint in thin layers that are then moved or pushed away. This way of working allows me to play with transparencies and layering, to find colors with a certain depth and surprising nuances.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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