Porto Vecchio, 2019
Marie-Louise van den Akker  

Painting : oil · 70 x 100 x 3.5 cm 27.6 x 39.4 x 1.4 inch

$1,639 $1,475 1 475 $US
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Shipped from: France

Delivery to: United States , $ 246

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

70 x 100 x 3.5 cm 27.6 x 39.4 x 1.4 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

This landscape composition explores a subtle dialogue with nature. The artist favors the wooden panel as support here. This technical choice allows for scratching and pushing the material. 
The oil paint is applied in thin layers. This process creates plays of transparencies and unexpected nuances. The eye circulates between organic forms and graphic lines. 
Orange tones dominate the foreground. They contrast with the softness of blues and greens in the background. Depth arises from this rigorous superposition. 
The approach does not seek a faithful reproduction of reality. It aims for a visual harmony between terrestrial and marine elements.

Landscape

Seascape

Semi-abstract

orange

Marie-Louise van den Akker, Porto Vecchio
France  • 1971

Presentation

Originally from the Netherlands, I completed my studies at the Breda Academy of Fine Arts in 1993. In 2001, I settled in France, in the Creuse region. I combine my life as an artist with that of an art therapist. I exhibit regularly in France and the Netherlands (Concept Store Gallery, La Baule – Salon d'Art Contemporain d'Auvergne, Clermont-Ferrand – Galerie Peter Bax, Sneek, The Netherlands) and I participate in land art or environmental art festivals (Vign'art, Epernay – Festival de l'Estran, Côte de Granit Rose).

My small paintings are the simplest; they contain only color, sky, and sea. The larger paintings can be more complex, a graphic design blending with the transparent colors of the sea, seeking a harmony of several different elements. I don't reproduce nature, but I need this interaction with nature, this "dialogue," to nourish my work.

As a support for my paintings, I often use wooden panels. The wood is rigid, which allows me to scrape and push the paint away. I apply oil paint in thin layers that are then moved or pushed away. This way of working allows me to play with transparencies and layering, to find colors with a certain depth and surprising nuances.

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