Reflet d'une Epoque, 2026
Painting : aerosol paint · 85 x 120 x 3 cm 33.5 x 47.2 x 1.2 inch · Ready to hang
$11,097
11 097 $US
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 1,168
Estimated delivery: Three to four weeks
Free returns within 14 days, full refund
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Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
85 x 120 x 3 cm 33.5 x 47.2 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
87 x 122 x 3.5 cm 34.3 x 48 x 1.4 inch
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2016
Discount
This seller offers discount when you purchase multiple artworks.
Description
A suspended atmosphere dominates this urban landscape. Under a low and heavy sky, three red airships pierce the grayness. Their bright color contrasts with the muted palette of the clouds and concrete. Below, a modern architectural structure stretches. Its metallic curves and glass surfaces reflect the diffuse light of a stormy day. The gaze slides over these geometric lines towards a hazy horizon. A city extends as far as the eye can see, drowned in a pale mist. In the distance, a golden dome brings a touch of discreet light. The pictorial treatment favors soft gradients and rigorous technical precision. The composition creates a feeling of strange calm. It invites a slow contemplation of an imaginary world. The red reflection on the glass emphasizes the chromatic coherence of the scene. The whole rests on a fragile balance between industry and dream. Each detail reinforces the cinematic aspect of the view. The plunging framing accentuates the sensation of immensity. The final rendering is distinguished by a remarkable finesse of execution.
Presentation
Born in 1967 in the Paris region, Thomas de Belvata Balasy is a French painter internationally recognized for his unique approach to spray paint.
A pioneer of Pressureism – the art of painting exclusively with aerosol spray – he has refined and elevated this technique by mastering the interplay of pressure, distance, and angle to create works distinguished by exceptional textures, depth, and luminous effects.
During his teenage years, Thomas de Balasy became actively involved in the Hip-Hop graffiti movement in the late 1980s, working alongside many influential graffiti artists. His remarkable technical progression quickly earned him recognition within the scene under the name “BES."
Fascinated by mural painting, he chose spray paint as his sole artistic medium, deliberately rejecting traditional painting tools in favor of a single instrument capable of limitless expressive potential.
His work is based on complete mastery of freehand spray painting, executed without stencils, masking, or any auxiliary graphic tools. Through an extraordinary command of aerosol pressure, he creates subtle gradients, delicate drips, and intricate light effects with exceptional precision.
This approach allows for an extraordinary level of detail, even on small-scale formats, demonstrating that spray paint can achieve the same refinement traditionally associated with classical painting.
Whether producing monumental murals or intimate canvases, he captures the essence of his subjects with remarkable depth and sensitivity.
Today, Thomas de Balasy continues to push the boundaries of his discipline, refining his technique through constant experimentation.
Situated at the intersection of graffiti and classical painting, his work has played a significant role in establishing this emerging artistic language as a legitimate expression within the contemporary art world. In his hands, the gesture and mastery of the spray become an unmistakable artistic signature.
Driven by an uncompromising attention to detail and an ongoing exploration of the expressive possibilities of aerosol paint, Thomas de Balasy continually expands the technical and aesthetic limits of his medium.
Through his practice, Pressureism has evolved into a mature and distinctive artistic movement founded on innovation, experimentation, and technical virtuosity.
By transforming spray paint into a vehicle of remarkable subtlety and sophistication, Thomas de Balasy has developed a singular visual language that firmly establishes him as one of the leading figures in contemporary art.
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