Serie Confessions, 2026
Andru Suarez Rojas  

Painting : Watercolour · 21.8 x 17 x 0.3 cm 8.6 x 6.7 x 0.1 inch

€717 717 €
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Shipped from: Colombia

Delivery to: France , € 134

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

21.8 x 17 x 0.3 cm 8.6 x 6.7 x 0.1 inch Height x Width x Depth

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Description

A subtle blend of folkloric memory and surreal dreamscapes. This watercolor painting presents an anthropomorphic rabbit dressed in somber Victorian attire. The figure stands with a poised gesture, holding a basket of small treasures. Beside her, an open chest reveals a hidden world of miniature figures and nostalgic objects. A small cat observes the scene with quiet curiosity. 
The artist draws inspiration from the visionary legacy of Remedios Varo and Leonora Carrington, mixing their mysticism with the softness of classic British illustration. Through these characters, the artwork explores themes of identity and transvestism, referencing the bravery of Mulan. The composition functions as a non-place where time slows down. 
Every detail is executed with precision and warmth. From the delicate lace collar to the reflective gaze of the rabbit, the image evokes a sense of preserved history. A circular portrait on the wall overlooks the scene, adding a layer of domestic mystery. The soft palette enhances the narrative quality of the piece. The scene concludes with the tactile texture of the paper and the refined application of watercolor pigments.

Confessions is a series of works inspired by Marcel Duchamp's concept of the box in a valise. Taking the act of unpacking a box as its departure point, these pieces reveal playful, lighthearted details that progressively shift into profound vulnerability as the viewer engages with them.

Andru Suárez Rojas (b. 1994, Barrancas, Colombia) is a contemporary artist who explores folklore through staged compositions that interrogate identity, transvestism, and time. His work constructs dreamlike, "non-place" environments dedicated to preserving history and memory by synthesizing the Surrealist legacy of Leonora Carrington, Remedios Varo, and Frida Kahlo with the delicate illustrative sensibilities of Beatrix Potter. Rejecting modern pop culture, Suárez Rojas roots his anthropomorphic figures in ancient mythology, literature, and everyday scenes. Within Victorian landscapes that engage in deliberate aesthetic globalization and artistic hybridization, rabbits symbolize transvestism through the narrative of The Ballad of Mulan, while cats channel the Egyptian goddess Bastet as cultural bridges. Amidst these complex thematic dialogues, native South American animals, such as the capybara, embody a serene and quiet observation.

From the Confessions series
Signed lower front by the artist
Unframed

Animal

Anthropomorphism

Rabbit

Beige

Black

Andru Suarez Rojas, Serie Confessions
Colombia  • 1994

Presentation

Andru Suárez Rojas (b. 1994, Barrancas, La Guajira, Colombia) is a contemporary artist whose work explores the concept of folklore through staged settings and compositions that interrogate identity, transvestism, and time.

Suárez Rojas creates dreamlike, "non-place" environments that evoke the human capacity for preserving histories and memories. His visual language is deeply influenced by the visionary legacy of Surrealist artists Leonora Carrington, Remedios Varo, and Frida Kahlo, seamlessly interwoven with the delicate watercolor sensibilities of British illustrator Beatrix Potter.

Literature and everyday scenes serve as foundational pillars for his compositions. Rather than drawing from modern pop culture, the artist's anthropomorphic creatures are rooted in ancient mythologies and folklore:

The Rabbits: While easily mistaken for references to Alice in Wonderland, their presence is intrinsically linked to the concept of transvestism. They find their origin in The Ballad of Mulan, the historic Chinese folk poem detailing a woman who disguises herself as a man to take her father's place in the military.

The Cats: These figures evoke the manifestation of the Egyptian goddess Bastet, acting as a bridge between distinct cultural traditions.

By positioning these symbolic animals within Victorian-inspired landscapes, Suárez Rojas engages in a deliberate process of aesthetic globalization and artistic hybridization. Furthermore, native South American animals, such as the capybara, appear sporadically throughout his work, embodying a sense of serene, quiet observation amidst these complex thematic dialogues.

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