S-Guzo [RW], 2025
Painting : acrylic · 91 x 73 x 4 cm 35.8 x 28.7 x 1.6 inch
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 315
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
91 x 73 x 4 cm 35.8 x 28.7 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2013 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
A hybrid figure emerges on a dark background. The thick, nervous black line outlines a geometric silhouette.
The influence of Japanese visual codes permeates every line. The gaze is captured by yellow eyes shaped like stars. A red detail, like a gem or a tear, punctuates the top of the face.
The acrylic work alternates between sharp blocks of color and textured areas. Traces of paint flow freely, bringing an organic dimension to the whole.
Presentation
Miyaoka Takami is a contemporary Japanese ceramic artist born in 1980 in Saitama Prefecture. From a family of potters, he initially studied economics at the University of Tokyo (2004) before returning to his passion and training in ceramics at the Kyoto Prefectural Pottery Technical University (2008). Miyaoka's idol series unfolds a singular, hybrid, and profoundly magnetic universe. His work is distinguished by a concept of dichotomy: the ancient and the modern, East and West, the real and the imaginary. Some of his works are not meant to be viewed from a distance. They are discovered up close, in silence, almost like a secret. Each piece seems to emerge from an intermediate world, simultaneously echoing the past and embodying resolutely contemporary figures. Through his series of idols that fuse traditional pottery and contemporary pop culture, Miyaoka imprints the ever-changing images of our time, particularly those drawn from manga and anime characters, into the eternity of clay. He revisits the notion of the figurative icon (gūzō / 偶像 in Japanese). For him, clay is a vehicle for memory. Here, the glaze becomes skin, the sculpture becomes memory, and the viewer is free to project their own recollections onto it. He has exhibited in Japan and internationally, participating in biennials and art fairs in Europe, Asia, and the United States.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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