se Iberer 2, 2026
Painting : acrylic · 60 x 50 x 2 cm 23.6 x 19.7 x 0.8 inch
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Shipped from: Switzerland
Delivery to: Germany , € 78
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Verified Reviews : 9.6/10
About the artwork
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Independent artist
Credentials
Vetted seller since 2026
Description
This vibrant composition explores the tension between order and chaos. Broad strokes of azure and lime green crash against a dark, moody backdrop. A terracotta rectangle grounds the center, providing a warm focal point amidst the cool tones. These amorphous patches create a dense fabric of structures.
Geometric lines slice through the energy. A precise black circle and a sharp diamond frame impose a rational logic on the canvas. This dialogue reflects the artist's fascination with modular forms derived from sculpture.
The energetic brushwork suggests a process of deconstruction. Gestural marks overlap and obscure the rigid shapes. This interaction eliminates traditional perspective. Instead, a non-perspectival depth emerges from the layering of pigment.
The artwork challenges the viewer to analyze the synthesis of disparate elements. It is a study of balance. The harmony is found in the struggle between calculated symmetry and expressive freedom. The piece concludes in a rhythmic arrangement of intersecting planes and deep blue shadows.
Presentation
Streit was born in Switzerland. He studied art at the Schools of Design in Zurich and Basel. Since then, he has held numerous exhibitions both at home and abroad. He works in both two and three dimensions.
Three aspects can be identified in his paintings: the first relates to the actual content, the subject matter. This is determined by the borrowed modular forms drawn from his three-dimensional aluminium sculptures. Clear geometric shapes emerge on the canvas, sometimes arranged in an almost symmetrical manner, sometimes spreading playfully across the surface.
The second aspect involves amorphous patches. The rigid figures that relate to the leitmotif are embedded in a multidimensional, informal interweaving – a fabric of structures.
The informal also often appears at the forefront as a brushstroke (3rd aspect) – an energetic gesture. This seems to challenge the geometry, almost destroying it, deconstructing it. The apparent irreconcilability of freely circulating elements (streaks of colour) and rationally composed elements comes together as a synthesis in the deconstruction.
The conventional arrangement of background and foreground, which has prevailed for centuries, is radically challenged. A non-perspectival sense of spatial depth emerges. The resulting interplay of order and chaos struggles for dominance, but is ultimately brought into balance.
Streit's aim is not to depict beauty but to broaden sensory perception. The viewer is challenged to actively observe and analyse the image, and to perceive it in a positive light.
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