Invasif, 2020
Painting : oil · 150 x 100 x 2 cm 59.1 x 39.4 x 0.8 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 144
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
150 x 100 x 2 cm 59.1 x 39.4 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
This painting is part of a series dedicated to the Calanques. The Calanques are rocky inlets to the Mediterranean Sea, in the south of France. The cliffs, the colors, the air and the vegetation are characteristic of this region, to the point that the site has been protected for several decades and has become a French national park a few years ago.
I grew up there and I feel deeply that this place is special. Descending to the sea by crossing these rocks is a unique, almost indescribable experience.
I sought to convey this feeling through powerful brushstrokes and vibrant colors, giving the painting a sensation that is both cold — in the shadow of the rocks — and warm — in the air that envelops them.
Presentation
She learnt the art of the stroke from the american painter Zawacky, in Detroit. Maggie Siner then taught her the craft of pigment-mixing and incidentally became a mentor of Nushka’s. When she got back to Paris, Nushka met Hashpa who encouraged her to explore the sensuality of her models as well as the delicate art of composition.
Nushka’s life experience explains the duality which is to be found within her work. The contemporary and the classic, american and european traditions, technical mastery and personal style…it all comes together on the canvas.
Nushka is drawn to an eternal topic: the iconic, idealized beauty, distant and out of reach. She then works on veiling it, in order to question the importance of the subject in the very existence of the scene. Nushka is working on the structure of figuration itself: subjects and compositions are only a pretext to the more abstract research that is one’s own presence.
Reviews from our customers
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