Lattice 4, 2023
Painting : acrylic · 50.8 x 40.6 x 0.1 cm 20 x 16 x 0 inch
CHF 1,598
1 598 CHF
Delivered in time for Christmas
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Shipped from: United States
Delivery to: Switzerland , CHF 191
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
50.8 x 40.6 x 0.1 cm 20 x 16 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Martina Nehrling is an American abstract artist whose dynamic and richly textured paintings evoke kaleidoscopic worlds of pattern, color, shadow and form.
Nehrling employs a highly developed, idiosyncratic painting method that involves methodical accumulations of abrupt, impasto brush marks.
Using pure, opaque colours, she projects a bold and vivid energy from her compositions. Each carefully placed mark grips on to its neighbour, forming hypnotic shapes and forms that seem to vibrate.
The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a respect for the human hand.
Presentation
Martina Nehrling is an American abstract artist whose dynamic and richly textured paintings evoke kaleidoscopic worlds of pattern, color, shadow and form.
Nehrling employs a highly developed, idiosyncratic painting method that involves methodical accumulations of abrupt, impasto brush marks.
Using pure, opaque colours, she projects a bold and vivid energy from her compositions. Each carefully placed mark grips on to its neighbour, forming hypnotic shapes and forms that seem to vibrate.
The hard edges and geometric shapes make the work feel structured and architectonic, while sumptuously oozing trails of paint drip freely, betraying an embrace of the accident, and a respect for the human hand.
Her works are in numerous public and institutional collections, including those of the Federal Reserve Bank, Chicago, IL and PNC Bank, Chicago, IL; and New York Presbyterian Hospital, New York, NY, among many others.
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