21.24, 2024
Painting : acrylic · 40 x 30 x 2 cm 15.7 x 11.8 x 0.8 inch · Ready to hang
€440
440 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 50
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
40 x 30 x 2 cm 15.7 x 11.8 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
The energy of the gesture guides this abstract composition. The movement is expressed by intertwined curves that occupy the entire space. The acrylic material stretches into fluid ribbons. These organic shapes coil and overlap spontaneously.
A color palette centered on shades of pink and magenta dominates the canvas. The colored transitions create a visual relief. Darker touches highlight the curves to give depth to the whole. The execution recalls the freedom of lyrical calligraphy.
The structure rests on a balance between solids and voids. Each line seems to trace an intuitive path on the support. The final rendering reveals the grain of the canvas beneath the layers of paint. This piece was created in 2024.
Presentation
« Encrées Libres »
I develop a reflection around the possibilities offered by India ink, exploring the fluidity of the line and the intensity of the black. My contemporary creations extend the traditional practice of ink and calligraphy to gradually lead it towards lyrical abstraction, where the gesture becomes free, spontaneous, and intuitive. What interests me particularly is the space between the lines, the search for a balance between the filled and the empty, between the power of black and the presence of the background. The forms that appear can evoke characters from an ideographic writing without ever seeking to constitute a legible language. Calligraphy then becomes one of the elements of a larger structure and transforms into an abstract representation. Through this research, I gradually build a personal plastic language in which the line retains the spontaneity of the gesture while developing a true visual vitality. The use of acrylic to obtain a rendering close to that of ink results in a fragile alchemical balance, between mastery of the material and freedom of movement. In each of my works, black acts as a vector of meaning. It structures the space without confining it and deliberately leaves room for interpretation. The viewer is thus invited to look beyond the gesture, to traverse the empty spaces and to pursue their own questions.
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