Landscape of Pag Island 2 and 3, 2023
Painting : mixed media · 41.9 x 59.9 x 0.3 cm 16.5 x 23.6 x 0.1 inch
€1,121
1 121 €
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Shipped from: Serbia
Delivery to: Italy , € 187
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Jean-Jacques André
Fine Art Drawings . 67 x 92 x 1 cm Fine Art Drawings . 26.4 x 36.2 x 0.4 inch
€590
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
mixed media on paper
Dimensions ( cm • inch )
41.9 x 59.9 x 0.3 cm 16.5 x 23.6 x 0.1 inch Height x Width x Depth
Sold by
Credentials
Vetted seller since 2019 • Top Seller
Description
This diptych explores the delicate tension between structure and fluidity. The two acrylic paintings present a study of geometric abstraction. Sharp lines intersect with soft washes of color. Cool tones of cerulean, indigo, and slate dominate the composition. These hues create a sense of atmospheric depth. Each panel suggests an architectural fragment. The surfaces balance flat planes with textured gradients. This interplay evokes a dialogue between interior and exterior space. It reflects a disciplined approach to minimalism. The artist modulates the light through layered pigments. Weightless forms seem to shift across the canvas. Atmospheric haze softens the rigid borders. A rhythmic balance emerges between the two frames. The result is a meditative exploration of spatial relationships. Precise linear boundaries meet ethereal clouds of blue. The composition focuses on the harmony of muted palettes and clean angles.
The series includes drawings where analytical relationships towards the essential elements of pictorial plastic creativity are dominant: surface, line, color, matter and material; geometry functions as a framework within which the possibility of dealing with the surface/surfaces as the basic problem of painting.
Several combined painting and drawing methods and procedures were applied: glaze underpainting, applying paint in several layers, combining watercolors, acrylic paints, oil pastels and drawings. Each separate surface in these geometric paintings has its own autonomy, its color and plastic integrity, and their harmony tends to create a compact whole in which all relations are well balanced and leave an impression of order, harmony and concord.
The basic premise of her artistic expression over a long period refers to the need for constant experimentation with the very construct of the painting and the material from which it is made. Within the established system of geometric, reduced forms that make up her artistic language, the surface of the painting and its pictorial value impose themselves as another field of action and possibility for expression. Positioning the material as a building element of the painting provides the opportunity to work and explore within an expanded field, where the characteristic properties of the materials used offer potential for the development of a specific artistic expression. By using unconventional painting substrates like aluminum, plush, PVC material, foil, and woolen fabric, the painting becomes part of a process that translates it into a painting-object, moving beyond the established plastic system of surface organization. This sculptural processing of the painting as an object provides a wide range of new modalities in positioning its visual and spatial effect. At the same time, the selected material, with minimal interventions, forms the basis of a system of geometric images and shapes that are consciously devoid of color. The materials used are most often achromatic, and in such a reduced order of all formal elements, a relationship is established between rhythm as a state and rhythmicity as a process. Her architectural approach of combining and composing reduced forms, which she treats as plates that fit together, gives her the opportunity to analytically connect with the essential elements of the plastic system: surface, line, color, matter, and material. By emphasizing composition and building structure through the relationships of forms, she strives for a compact whole in which all relationships are carefully thought out.
From Drawing series.
Mixed media on semi-transparent industrial paper.
Dimensions:
Overall Image size: 11.8 H x 16.4 W in.
Individual Image size: 11.8 H x 8.2 W in.
Overall Sheet size: 16.5 H x 23.6 W in.
Individual Sheet size: 16.5 H x 11.8 W in.
Presentation
She graduated with a B.A. from the Academy of Arts in Novi Sad in 1994, specializing in the Painting Department. She later completed her postgraduate studies (M.A.) in the same department, graduating from the academy in 2000. That same year, she began working at the Academy of Arts in Novi Sad within the Department of Fine and Applied Arts. Currently, she serves as a Professor at the institution.
She has been a member of both the Association of Fine Arts in Vojvodina (ULUV) and the Serbian Association of Fine Arts (ULUS) since 1995. Additionally, she belongs to the art group Multiflex, where she collaborates with fellow artists on multimedia projects. Since 2022, she has also served as a permanent curator at the "Mitar Subotić Suba" Foundation.
Since 1992, she has participated in over 150 group exhibitions regionally and internationally, spanning countries such as Serbia, Poland, Italy, China, Germany, Japan, Switzerland, Great Britain, Austria, and France. Numerous fine arts critics have nominated her in various national artist selections within the contemporary art scene.
Throughout her career, she has held 27 solo exhibitions and received several awards for her work. These honors include the Special Award at the 6th "Salon for the Young Artists" Exhibition (Serbia, 1998) and the Annual Award for the best solo exhibition in the Gallery of the I. M. Kolarac Foundation in Belgrade (Serbia, 2001). That same year, she won an award at the 30th Artistic October Salon in Novi Sad. She went on to win awards at the 10th Exhibition of Drawings (Serbia, 2003) and the "30x30" Exhibition (Serbia, 2009). In 2011, she received the jury award at the 27th International Short Film Festival in Germany with the art group Multiflex, followed by the "Milivoj Nikolajevic" Award (Serbia, 2016).
She has coordinated numerous projects in art and education, while also participating in many international symposiums and conferences. Furthermore, she has served on several faculty and university boards, as well as councils for multiple art galleries.
Her academic work focuses on researching traditional and new visual media, exploring their parallels and intersections. The relationship between internal and external space is her primary field of exploration, where she examines the possibilities of expression and abstraction through diverse disciplines, including art, ecology, urbanism, and visual culture.
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