Mom, everything is fine., 2026
Painting : acrylic · 60 x 50 x 2 cm 23.6 x 19.7 x 0.8 inch
Shipping & delivery
Shipped from: Belarus
Delivery to: Germany , € 78
Estimated delivery: Two to three weeks
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
60 x 50 x 2 cm 23.6 x 19.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Description
We learn to say it early—before we truly learn what "everything is fine" actually means. At first, the words serve as a protective charm, spoken at the doorway so Mom won’t worry. Later, they become a habit. Eventually, they become a way of existing: sadness hides beneath the steady light on one’s face, and no one—not even the person we first said it to—can discern it anymore.
I didn’t paint this portrait to depict a lie. I painted it to show tenderness and care. There is a warmth in the light on her face that doesn’t come from the sun; it comes from the decision to put another person at ease. And that is perhaps the earliest gift we learn to give—before self-love, before courage, before anything else.
"Everything is fine" is not the end of the conversation. It is what we say when we don’t want Mom to carry our pain along with the burden of our lives. Let things be well for her. As for us, we will wait—quietly, bathed in that light—until things are truly, genuinely fine.
Presentation
Liubou Sas (born in 1988 in Ostrovets, Belarus) is a contemporary painter artist currently based in Bakuriani, Georgia. She began painting in 2017, developing a unique artistic language that merges expressionism and impressionism, with a strong focus on the female figure as both subject and emotional medium. Her work delves into inner states, gestures, and archetypes of femininity, conveyed through rich textures and bold brushwork.
A self-taught painter, Liubou Sas built her artistic identity outside of formal institutions, refining her style through independent research, museum visits, and immersion in modern and contemporary art history. Her technique is distinguished by vibrant palettes, layered surfaces, and expressive strokes. She refers to her signature approach as “washed stone”, where delicate feminine imagery contrasts with deliberately raw textures, creating a striking visual tension.
Working primarily with oil and acrylic on canvas or wood, often on a large scale, Sas creates emotionally resonant compositions. Her narrative explores themes of sacred femininity, introspection, and personal identity in a rapidly changing world.
Since the beginning of her career, she has participated in numerous solo and group exhibitions internationally, and her works are now part of private collections in over twenty countries, including in Europe, the United States, Asia, and the Middle East. She has also received several artistic awards.
Liubou Sas represents a new generation of female contemporary artists, blending technical skill, visual poetry, and symbolic depth to produce powerful and intuitive artworks that continue to evolve.
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